Posted in journal: lessons to learn

on the other side now

Feels the same, looks the same. (Except for the GI infection i had on New Year’s day and yesterday, mild fortunately!)

It’s also the time of year when i get Butterfly Brain, that state when every idea is good, gets sampled, but doesn’t always go anywhere! You know: “Really have to use more of the beads, wait there’s a lace piece i thought i los– what issue/book was thattechnique inbut look at this velv==, i found a great old sample of manipula—, there’s cotton in here, i know i had some gnatshairsilk why did i buy this where’s the”…………………………………….

Settle down. Add some Method to the Madness.

1. I remembered i have a backlog of Threads issues to dig through. I haven’t bought the magazine in years as it switched to mostly “how to knock off/create couture wear”, but when it was first around, i bought every issue, and was quite bereft when i couldn’t find it: it had a lot of great articles on manipulation, hand techniques, zero waste fashion, historical use and contemporary adaptations, and cutting edge things we now take for granted! I have a backpack i made from one of their pages, that has served well for 24 years (and is still in use!), i learned about “compost dyeing” in 1995, i used a ton of their tips when i had my wearable art business (shoulder pads anyone, hand inserted zippers, princess seams?). And i still have all the index pages for issues 39-104 issues so i can find things 🙂 I did however have to dig up everything near the bookcase, so i could get TO the magazines……. I’ll be doing a couple of posts about the gleaning of these, as i go through them. (You can access their archives of this magazine, to date 188 issues, but it costs 80bucks for the first year.) Then i’ll be donating all of the issues i have to some worthy “cause”.

2. What happened to the Summer of Madder Study? It was very productive, but in November i thought about the end “goal”, the creation of a garment made entirely of hand stitched and embroidered, naturally dyed cloth (predominantly madder, obviously)–which i would not wear, due to my “lifestyle”. Some of those pieces ended up as moons, others will be incorporated into other work, and i have a lovely stash of madder cloth to work with, so it was a good summer in that respect!

3. I MUST get back to Samara. I know i’m headed in the right direction with her, though at this point she has been hanging around the studio, yelling at me.

4. My studio is in a constant state of disruption and chaos. I don’t foresee or want a picture perfect workspace (those books/magazines where obviously more time is spent prettifying the space than working in it…), but i do want territory where i can find things, store things, put things away easily and neatly, and MAKE “things”. It might be a time for a major overhaul/reno. Not the kind that costs money or prettifyin’ time, but honest appraisal of what i do and don’t need/use/want/make.

5. None of these are Resolutions. I do spend that week of limbo, the time from Dec 26 to January 1st, thinking about what i have done, or not done, usually because all of the important projects have ended by the 25th, but i know none of these are silver bullets, cure-alls, or Magickal Thinking that because it’s a new year, all will be well. I expect the constant struggle i am, regardless of the exterior appearance.  🙂

6. Que sera, sera.

 

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I am a Canadian textile artist in Calgary, Alberta. As textile artists, we connect and are connected to communities larger than our Selves, or our immediate environs. We encapsulate culture, technique, history and innovation every time we touch cloth.

2 thoughts on “on the other side now

  1. Thanks Arlee… just grateful for all of your insight – I am looking at my ‘studio’ space and feeling the same “what do I purge’ to gain back workable space. Hope it works for you, I am still just moving things around. bethany

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