Posted in gallium, garden dye plants, Garden Hard, madder, Natural Dyes

it might “madder” that i grow my own :)

We gardeners in harder zones have a tough time growing certain things. If you’re a gardener who wants to grow your own dye plants, it’s even tougher! If you’re a Calgary gardener who wants these, it’s even more more tougher! Our growing season is shorter, and while we get intensely sunny days, due to our altitude, we also get much cooler nights–no steamy evenings here (at least, not in the garden 🙂 )

Last spring i planted madder seeds in a big black pot, containing it because madder is notorious for sneaking everywhere with the root system, and this makes it easier to harvest when the time comes (usually after 3 years), but also because my Zone 3 garden is clay based, due to being only a few 100 yards from an old (still quite active) river. I used a mix of “garden soil” i’d had delivered, some actual garden soil from the extant garden, a bit of sand and then amended it weakly with some lime.

It grew to about 3.5 feet last year, and survived the first 3 frosts, before i heeled it into the garden in October. That means, i dug a hole deep enough for the pot, sank it to its rim, then mulched with newspaper, garden debris and it’s own stalks. (I also removed the trellis obelisk, as metal conducts cold and i didn’t want the roots “injected” with -20 to -40 temperatures!)

I pulled it out of its hole on  the 27th of April, and was about to PULL all the old growth off, when i realized i didn’t know if it would grow new branches, or start from the old ones. Good thing i stopped and really looked, because the old growth base is precisely where the new growth starts! If you click on the photo below, you can see the new growth.

While it may not look terribly exciting to some, it IS. IT’S VERY VERY VERY EXCITING, because that means at the end of next year, i can be using my own home grown madder for dyeing with! Madder roots are best used in year 3, or 4 if you can wait that long 🙂 The big deal also is the fact that we had one of our harshest winters in a long time, and it still survived being buried under 3 feet of ****ing cold and snow for 5 and a half months. It was also a LONG winter, with snow still happening until mid April…………..

It didn’t flower last year, though that again is not that much of a disappointment, but i’m hoping because it has a much earlier “start” this year IN it’s growing conditions (ie no indoor starting, coddling and having to harden off), that it will—–because it also occurred to me this morning, that if it does flower, seeds from it would already be on their start to being a Zone 3 hardy dye plant!

I’ll continue to use “commercial” madder until then, but i can’t wait to see the results of true “slow dyeing” 🙂

Which reminds me…….last year i harvested the third year roots of gallium, a more “local” dye plant that gives red from the root also. (Gallium grows almost everywhere in the world so i call it “local” because *i* *can* harvest it locally if i had the patience. I grew mine from locally sourced seeds though, as the wild areas are too dense with roots to find any easy to dig out. And Conservation Officers would nail me, if i got caught. And i’m not about to dig in a wild area like that, to that extent, because ya just DON’T!) I did wrap it in silk at the time, ready to throw in a pot and use as an ecoprint material, but never got to it, and just added it back to the pile collected. Today i will try using it!

Posted in "OPINIONATION", FybreSpace the shop, journal: lessons to learn, Probably talking to just myself

about “shop updates”

It seems every time i do this, i lose a few followers, at least on FB! Please remember that small businesses/artists need support too–especially since i myself am temporarily no longer a “floral arranger”/”employee” by day.  Some/most of us do not work for conventional employers, whether by choice, or because of need for childcare that necessitates someone staying home, or living in a place where jobs are few and far between, or that geography says it’s too far to commute to! You get one of a kind items this way, made with skill and care, unique viewpoints and representations, often created with original to the maker supplies too, and passion and intent. We can’t just show you what we’re doing: it has to pay for itself, pull its own weight, fly out into the world. Some of us are not just artists, but WORKING artists–and working artists make art/things for sale, not just to pretty up a blog or Instagram.

An artist/maker spends time not only making the product, but developing the skills sometimes for years, doing the initial sketches or design work,  gathering the supplies, setting up a work space, photography and editing after, listing the product, packaging when sales are made, schlepping them to the post office, buying special envelopes for some work, and has to pay fees as well to keep the business going, from shop fees, to financing charges, more supply buying and a host of little things that are peculiar to each artist. I don’t mean any of this to offend anyone, am not begging, and certainly am grateful when someone appreciates what i do by opening their wallet. BUT things, “products”, Art, stuff, never spring magically from “a sweated brow”on to a for sale page with no thought or effort beforehand 🙂 It doesn’t just get THUNK into existence: there’s WORK first. I keep my prices low, given the amount of effort/skill/vision that goes into them, and having seen some sell smaller less involved bits for more coin,  it sometimes really depresses me, when they’re shocked that i would have the Audacity to actually want good coin, not a token of “faith” in my pocket. There are times when i just want to give up, quite honestly.

On the other hand, i’ve had well meaning friends and family say some of my prices are too “low”, and yes, i’ve always subscribed to the “some bucks is better’n no bucks” theory, but i know what has gone into those particular efforts, and am comfortable with what i asked for 🙂

I’ve had queries about specific pieces that i have shown in my galleries here, things i *might* like to sell to a good home, but have not actively pursued a sale, or even a hint of one, and after a few back and forth emails, when they find out the price–because my bigger pieces, my more involved pieces are more expensive because they were a hell of a lot more work, not only in size, but in execution and skill — *cricket noises*, no further communication, not even a “thanks for answering, but regretfully, no thanks” response. I get that you thought because you bought a piece 6 years ago for $75, that you might figure one of my massive works is only double that now, but that’s not how it works. I know too that active, dedicated, supporters of textile art don’t always have money, and that too, some figure because they have supported someone before, that they should get a deal. I’m happy to work out a payment plan for something already produced, and have on occasion happily done commissioned work on a payment plan as well.

Do you want something that lasts? Are you the kind of shopper that only buys things that *immediately* gratify you? Are you making an investment in your own happiness, or just to fill your belly, impress someone else, keep up with a trend? I’m constantly remembering customers at the flower mines who would decry that “flowers are so expensive for something that doesn’t last”–well, honey, how’s that steak you had last night, keepin’ on? Those flowers that lasted “only” a week made someone happy every *single* day of that week. That’s a lasting impression.

So is art, Art. Big statement piece, small joy as a present for you or a friend, something to make something else with, it’s all in the shop. Thank you for listening to the end of the commercial, not muting it while you go for a pee and a snack 🙂

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Posted in a collusion of ideas, embrilting, FybreSpace the shop

unfinished business is getting busy with finished!

Too many bits and bobs, unfinished, but not used for anything. I have to keep my hands busy, and sometimes despair of what to use things for. I’ve never been precious about what i do, so what the hell, let’s have some fun! I could look on the burgeoning piles as exercises, samples, tests, even a bit of wasted time and effort.

It’s like an athlete who has to continually keep moving, exercising, stretching, twisting, extending. Such a nasty word, *wasted, all definitions pointing to loss, garbage, effluence, used up, thrown away, the only comforting interpretive “a gradual passing of time” resonating… So, let’s say these are running in place exercises.

How many does a person really need (to do)? Simple: as many as a person needs (to do). But i DO know what i want to do with some of them.

It was past time to dip into the bead stash again. If i died tonight, there are so many, poor Greyman would be overwhelmed!

A Spring Burst!

hand embroidered Spring Burst textile art moon

And a Tango Tangerine too 🙂

hand embroidered tango tangerine moon textile art

Baby juice moons, weighing in (errr, measuring in) at 4″ square.

Working on things incorporating those eyes in the third photo too! It’s slow time in the studio–though i’m being patient, i’m finding it hard to corral beads, thread ultrafine needles, and deal calmly with fraying threads and smashed beads! It doesn’t help that i dropped a mouthful of grapes and cheese into my coffee either!

And quite honestly, though it seems all i’m doing lately is pushing my shop, these are *in* my shop 🙂 Since i’m no longer employed by anyone else, and am hoping NOT to go back to ANY ffFlower Mine, hey, a Woman has to do what a Woman has to do. Thank you to those who *do* support me–you’re all Wonderful Blossoms!

Posted in FybreSpace the shop, Natural Dyes, Naturally dyed threads

Naturally dyed thread sale, shop update

Clearing out the naturally dyed threads! <—LINK.  SOLD OUT It seems most people are/were not as excited by them as i am, but those of you who are, can experience packs of different colours, great for your Boro or Kantha style stitching. Mother Nature provides a bounty of beautiful colours for us and what better way to add mindfulness to your work? EDIT April 27, only 3 packs left.

Above, 3 packs. EDIT: 2 1 available  ALL SOLD

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Below, all only 1 pack of each:

SOLD

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SOLD

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SOLD

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SOLD

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SOLD

 

As always, i will refund extra postage paid, and remember, my prices are in Canadian dollars, so use your currency converter

Posted in Jam Day, Not so ordinaries

Ujamaa score!

Have you ever heard of the Ujamaa Gramma’s? A Calgary, Alberta (Canada) initiative, they do massive work to help support a very worthy cause and solution.

Approximately 14.8 million children under 18 have been orphaned by the HIV/AIDS pandemic. In many African countries, 40 to 60 percent of these children now live in grandmother-headed households.

As part of the Stephen Lewis Foundation Grandmothers to Grandmothers Campaign, UJAMAA GRANDMAS works to raise awareness for these tens of thousands of African grandmothers who are struggling to raise their orphaned grandchildren.

Since 2004, this dedicated local group of (mostly) women has raised a lot of money for the Foundation through an annual stash busting sale: donations of anything textile related from the surrounding area crams an entire large church basement, and people eagerly and happily wait in line for up to 2 hours to get in. (Gotta follow fire code regulations for occupancy!) It sounds like small potatoes in a way, but when you realize that the dollar bags of threads, the fabrics at a dollar a metre (except for higher priced quilting items, still a grand deal though!), yarns, notions, crafting supplies, tools, books and patterns raised $42,000 last year alone, that’s a lot of metres and miles of yarn and threads!

(With no way to snap pics as i was shopping,  i “borrowed” these from the FaceBook site) Imagine these spaces with huge knots of gridlocked shoppers too! What you don’t see, is all the little side and back rooms crammed with stuff as well.

Last year, i spent the magnificent sum of 37.00, this year a mere 12.00–not because i couldn’t find anything, but because A. i was overwhelmed by the amount offered, B. overwhelmed by the number of people and C. (unfortunately) overwhelmed by all of the perfume! I also had a specific list this year, and finding alternatives to items on that list was not a Thing. (Part of both those amounts included a $2 dollar admission fee, and a small “keep the change” donation as well.)

I bought 3 bags of embroidery threads at a dollar a bag–and even with some of them being short ends, i figure i saved at least 96bucks, by not buying “new” or from a retail operation. I fooled myself again, and do this frequently–i always get excited by the look of the “variegated” threads in the bag, which always turn out to be specific colours knotted together for someone else’s defunct/fuhgeddaboudit projects 🙂 You’d think i’d be more on the ball by now, but no-ooo-oo-ooo. Quite happy regardless! Some of the colours that i won’t likely use will be for overdyeing, so not a waste at all!

Edit next day: Untwangled everything, and discovered i have 102 skeins, counting some of the shorts as one—that works out to a wee bit less than 3cents per!

A bag of tassels for a buck:

A Maggie Grey, and a Jan Beaney/Jean Littlejohn, both hardcovers, both a measly 1buck each:

(The Beaney/Littlejohn book is signed by Beaney, but so what? 😉 )

Another (small) bag of threads for dyeing:

I say “small” because i COULD have crammed the bag full with three times this amount, and still have been charged only a buck!

Lace bits for a dollar:

One chunk of fabric i want to cut into small bits and play with, again only a dollar:

 

And my best score to date. As we stood in line to get in, we noticed there was sidewalk length of “free items”, mostly weaving frames, tapestry frames, and a few tapestry/embroidery stands. I poohpoohed the idea that i “needed” any of it. However, since i finished an hour before my friend Susan whom i’d gone with, i was sitting on the bench outside and thought “Hmmmmm…” So i pulled a stand over by my sit spot and looked at it, sneaking glances out of the corner of my eye, hoping it wouldn’t bond with me. When Susan came out, she reminded me that it’s FREE, sensibly mentioned that it’s wood so i could burn it if i didn’t need it and give the metal attachmenterthings to the Greyman, and that if it was semi wobbly, Greyman could fix it, and reminded me again that it’s FREE. How can i argue with that logic?

Never mind the mess behind–it’s “creative exploration” 🙂

I did a bit of research this morning, and the closest model i could find online sells for $195US (PLUS the shipping of course). Miss Susan was correct in her logic therefore.

 

Posted in Deliberation--do something you don't do--or haven't in awhile, Holding My Breath, in progress, Probably talking to just myself

holding my breath

I think that’s the final “name” too for this piece. As i’ve worked it again in the past 2 weeks, it’s freed up a lot of thought processes and worries i’ve had, and some major decisions were made.

I found a few spots where the initial stitching wasn’t completed either. Sometimes it’s hard to see the trees for the forest, or the forest for the trees  — i’m never sure which makes more (non)sense! I figure this will be done by the end of the month, and i might just dig through the UFO pile to see what else has been holding *it’s* breath for finishing!

I’m also going to be combining some media–not glued and recycled bits of paper, metal, cloth, gumwrappers, tea bags and whatever else can be recycled from the Nasty GarBahj, but more in form and for use. If i’m bored with what i’ve been doing, i might as well try either some new things, or go back to some old things!

Posted in embrilting, in progress

Hallelujah

Not only can i walk today (LOTS of drugs, water, rest, heating pads and special supine stretches), but i am closer to finishing this six year old piece than i thought.

I was worried i’d run out of the colourway i’ve used, but apparently i have a lot more violets and pale purples than i thought, yeah me.

Posted in embrilting, in progress

running in place

I’m pretty much confined to my stitching corner these past few days. And now i can’t sleep lying down, so now it’s going to have to be made into a nest. Not sure how i’m going to survive my last 6 days at the Day Job….. Robaxacet is starting to not help much, and ice packs make look your bum and back look funny when stuffed down your underpants. (And they have to be Granny Pants to stay high enough for good contact…)

Originally, i was just going to stitch up and down on this thing, but quickly realized it was not only boring in execution but in look as well. Running stitch doesn’t have to go only one way. I was hesitant to do the background this way, but it doesn’t fight with the defined elements after all, so will continue. There are small areas i will leave unstitched, as i’ve always subscribed to the void space theory, giving the eyes a place to rest, not crowding everything. It’s still a bit horror vacuii, but the other details stand out enough that this becomes only the background, not the story.

hand embroidered detail on painted cloth

I’m going to run out of the violets and pale purples soon! And i love this cloth, the result of using a large scrap as a sop/drop cloth when painting something else.

 

 

Posted in embrilting, in progress, Probably talking to just myself

if it’s not one thing, it’s another

This winter has been hell: a fall on the ice in December resulting in a hip crunch that is still bothering me, an angina attack and all the ensuing tests, poking, prodding and stressing, a bad cold that lasted 3 weeks and wiped me out, a spine jarring drive on the bus through a deep pothole that has left my back in agony, and the resignation from my Day job, after 5 years, effective on the 17th.

I’m frickin’ tired, and about all i can do, (besides whine i suppose…) is fill in space and time, so yesterday saw me go back to the strange face. (Previous post)

Since i started this in January of 2012 and have lost the flow and notes, i’m not sure what the intent was, but what the hell.

I’m guessing it was an exercise in colour, and stitch type, and followed/parallaled the making of “Not A Hive Mind”.  I might as well finish it, and then maybe i’ll get it!