Posted in Days of Honey, Not so ordinaries

days of honey

Warm, sweet, humid, floriferous, heaven hued, lush honey.

(This entry is photo heavy! If you want to see some of the flowers more closely, click on the photo, then click on the size on that page. I changed my garden blog to private as no one was going there anyways…but i may move the dye resource page from it to here, as that was the primary focus in the last two years.)

We had our annual amount of rainfall by end of July, and while it feels strange, it doesn’t feel wrong to be enjoying all this while i can. DogFaced Girl is now used to stopping every few steps while i smell, touch or take photos.

patient Nessie and the yellow prairie coneflowers

patient nessie in the alfalfa

I have never seen so many flowers, and never so much still green and flourishing mid August in Calgary, in Alberta, in the national parks as well. Usually it’s brown, crisp and full of seeds and burs by the last week of July.

Two kinds of prairie cone flowers in the Wildlife Rehab area. I’ve only ever seen one plant of either, and far far apart, and in different years, along here before, so to find these was a thrill!

purple prairie coneflower

purple prairie coneflower b

yellow prairie coneflowers

Flax with huge flowers.

blue and white flax

flax aug 17 2016

flax flowers b

flax flowers

“Butter and eggs” everywhere.

toad flax butter and eggs

Alfalfa and sweet clover that has the air laden with heady intoxicating honey fragrance.

alfalfa

My garden is lush, though blooming and fruiting late.

garden aug 15 2016 smWe’ve had carrots, peas and beans in abundance, tons of lettuce, green kincho and spanish onions already in many salads. The jalapeno and chocolate beauty peppers are vigorous plants–with NO flowering at all, so none of those this year–some deficiency in the soil that i have addressed too late….. You wouldn’t believe how many tomato plants there are in there–last fall i threw a bunch of several varieties in to compost, and they seeded and grew! I’ve pulled out literally tens and tens, but there are probably still 40+ in there!

tomatoes tomatoes everywhere

The Elephant Head Amaranthus self seeded also, and while i pulled many of those, i left the more vigorous ones, and they are starting to flower now.

elephant head amaranthus

I have named the Ligularia “Caligularia” this year. He was “Ligulittle” last year when i planted him and barely got to a foot and a half high with three sparse flower heads. This year, he’s 4 and a half feet tall, loaded with the most brilliant sunshine heart yellow, and huge leaves.  Caligularia b

The “pods” where the flowers develop, freaked me a little last year: i thought an insect had built a strange home in him.

lig1Glorious, glorious yellow sunshine blooms:

Caligularia cAnd monster leaves!

Caligularia e

My coleus has put on a show with one particular variety. This WAS a Sea Anemone Gold Series coleus and looked like this when i bought him, and through cuttings that survived being overwintered:

sea anemone coleus

NOW it looks like this, showing completely different colours in the last two weeks on the porch railing flowerbox (shaded most of the day) and looking more like a “Fish Net” variety:

coleus colourFor clear photos of both at a grower, go here, and scroll through the photos. Not Gramma’s coleus anymore! Because this plant has behaved so strangely, i’m going to contact the University of Saskatchewan, where they were originally developed.

Jack Ruby and his Missus are still hanging around, though we don’t feed the birds from June to September:

red bNO relation to a certain historical personage!

My weld (the rosette shaped plants) is getting bigger every day, but i don’t expect to harvest any dyestuff until next year.

weld and ammi

I had high hopes again for the hollyhock bed–the first year we were here (2009), they were all along the side of the house and through the backyard, and in the front garden, growing to heights of 6-12 feet.

hh6sept10_09a

patiohhaug25

Subsequent years, the rust got them and now there are none in the front, and only half of the side now. In the middle of June, they looked like this:

hollyhock hopingAnd SIGH, the rust is inevitable, and coupled with a bad aphid infestation this year, they are sad and pathetic now:

sad hollyhocks again aug 2016

I plan on seeding in the fall in that bed, so that Rudbeckia and Calendula will hide the bottoms next year……….

The 90-year-old apple tree in the back has fruited amazingly this year. Every summer we say “oh the apples are bigger and better”–meaning they have increased in size from marbles to now small golf balls 🙂 A couple of years ago, it took 111 of them to make 1 litre of apple sauce! But this year, very very few fell before ripening, and this year they are RED instead of pink, so maybe there will only have to be 90 cut up  🙂 to get that litre because OH the taste!

apple tree

apples

We did lose another branch though–the weight of all the apples coupled with some drenching day after day rains was too much for one of the smaller branches.

The sunflowers provide much beauty

sunflowerAnd rest stops!

sunflower rest stop

mason bee sunflower

Now i must finish my cold coffee, and get ready for the day job at the ffffFlower Mines, almost bland after all this!

Posted in Collision: the work begins, Contextural Fibre Arts Co-operative, in progress, journal: lessons to learn, Residency 2016, Residency 2016, Shows/Publications

push pull

There are no machine made nodules, no “dimension” beyond the tactility of the stitching, but elements of my overly ambitious plans for something else have crept in and settled comfortably.

To hell with “Concept” as i said in an earlier post. I’m tired of trying to write statements that explain WHY i did something, especially when a well written tailoring can adapt almost any piece to any show. Concept can be in the eye of the beholder as well, right? As we develop our style, our voice, whatever you want to label it, certain truths and ideas, interpretations become self evident don’t they. (Not a question, a fact.)

se contextural

When you make 8 pages of notes and sketches, and still can’t quite “git ‘er done”, it’s not the right time for that CONCEPT.

So, this then is the piece i will be exhibiting. Finally titled also as “Original Truths”, since i went back to what i love and love doing. No influence from anything else, any other artist, just me. This *is* me on the other side of the mirror. I’ve heard it said that when an artist draws faces, unless in a deliberate style, that elements of their own face, or their internal guise, are more evident, so though i’m not completely sure what this says about myself, other than the feeling that i have always felt alien, outsider, misfit, stranger in a strange land.

Though most of it is done, there’s something missing. I shall have to pin it up and stare at it for awhile.

OT aug 16 almost done

I need to pull some of the starker white to the left top somehow, but how? Not more hexes, too heavy handed then.

It’s also been a bitch to photograph—-i need that perfect afternoon light, because otherwise there is too much yellow imparted to the golds and browns in this. I’m happy with the detail shots, but the whole, not so much. Since it *is* not quite done though, i’ll worry about that later. The detail shots are good enough to submit to the show organizer.

OT aug 16 detail 1

OT aug 16 detail 2

There are 12 days until the exhibit gets set up, so hopefully i can finalize a solution to what’s missing, execute it, and photograph the whole properly.

Posted in a collusion of ideas, Jam Day

still hexing in my mind

configurations C

ecoprint hexes b C

ecoprint hexes CAbove, a couple of years ago, i thought of making a small “traditional” “quilt” using these ecoprints. That went by the wayside and i did sell the pieces as packs, but i’m looking at things in a new light and getting excited about plans for work after the current piece is done.

Looking at older work sections as well, and loving the textures and soft colourways:

Haystack in progress 2010 C

Haystack in progress b 2010 c C

Haystack in progress b 2010 b CNow i admit, i “plan” a lot of work, get all dithered up, and then when it comes time, realize the idea is not ripe enough to work, or in execution does not please me after all. (A lot of that going on this year for me, for whatever reason….) Those plans get stuck on my work blog, sometimes re-appearing, sometimes cannabalized, but often dismissed and forgotten deliberately.

However…………this time, since i have been wanting to Return to the Machine, even if for only a bit, i can see my lovely new hex work done this way as well. Pulling together past work sometimes sparks new ideas that can be integrated into one piece. It’ll be abstract, rather than pictorial as most of my work has been recently, but it’s not always about the recognizable, the tangible object that gets my juices going.

As i was cleaning my stoodio yesterday, i found a leftover piece from “The Difference Between a Plum”— and look:

next projectOOOOOOOOOOOOOOOOOO!

Now i see hexes used in this colourway and feel:

tdbap-feb1poss-sm

sol-for-tdbap

Soluble lace, machine work, hand stitch, shapes, woven sections (thanks to Jude for that wonderful class), natural dyes and soft colours. Of course, nothing can happen until the current piece is done for the Aug 28 deadline!

But, this one could be, will be, next.

Posted in embrilting, in progress, Not so ordinaries

moving along, and another backyard rescue

I could might get this done in time for the exhibit!

stitched hexes

stitched hexes b

The honeycomb/hexes/cells are stitched with rhubarb root dyed cotton perle–i just love the way this dye glows an any fibre!

I wanted to add more of my treasured and hoarded walnut dyed lace, but i put it somewhere in a safe spot–and someone has moved or hidden the safe spot!!!

And Greyman to the rescue again! He was going to mow the back 40 last night, but found a young robin by the lawnmower, so for the next hour we fed, watered and kept safe the fella until his Momma came back. He was full grown in size, but not in temperament or self care, but still with baby feathers, so pretty!

rescue 1

rescue 2

rescue 3

rescue 4

rescue 5

No sign of him this morning, so hope he’;s safe, but we can hear Momma.

Posted in Dyeing, Ecoprints and Natural Dyes, in progress, Residency 2016

hexed and rumexed :)

The couple left to be stitched at the bottom will have to be done after the edges are finished (the back covered). Since, as i mentioned before, that “symbol”/shape has shown up before often in my work, i can see these being a focus for awhile in other pieces.

hexesAnd the results of the Rumex seed stalk dyepots:

rumex seed stalk resultsI was quite shocked at how much colour washed out of the soda ash modified one–in the bath, they looked a warm reddish gold, but most of it disappeared. The best was just plain old alum with the dyebath, though i did get a surprise from an immersion of white cotton thread in the exhausted ammonia modified bath, peachy!

rumex thread results

I’m wondering if there was a chemical reaction similar to madder, in that first the yellows are extracted (poured off in madder), and then the redder tones show up? I’ll test that a bit more, as i do like that shade. Other than that, i won’t bother with gathering this plant material again–yellow is basically yellow, after all, and there are a million plants that give that 🙂

Posted in "OPINIONATION", Dyeing, Ecoprints and Natural Dyes, garden dye plants, in progress, Residency 2016, Residency 2016

place your hexes

Subject to change without notification, but i am betting this will be the most likely configuration.

from behind the mirror a CAnd i’m having a terrible time photographing things this last week–the weather has been strange with dark moody skies and then a burst of blinding sun, and then thundercracks and lightening!

Doing some natural dye experimenting as well. I gathered dock (Rumex) seed stalks, after seeing the results someone else did in a REPUTABLE, SCIENTIFIC, FACT BASED FB group. Currently these are in various vessels with different modifiers and mordants.

fresh dock seedsFresh above, dried and drying below.

dry and drying dock seedThough someone else with 40 years of natural dye experience got a range of colours from yellow green and brown to red and orange, i’m getting some glorious shades of    ————————— ———————   yellow again………..but i like yellow now, and the more threads i have in the arsenal, and to over dye, the better my thread stash looks. Could be the season, could be the weather, could be the soil, could be the stage of growth, everyone gets different results with some things. My rhubarb root dye pot gave me the most luminescent glowing gold threads that i had to try these, and there were good results from burdock as well, but i can find no roots due to recent “herbicide” spraydowns. The bastards.

And why am i harping on PROVEN DYE methods again???? Because this kind of crap is still around:

gag me with a spoon full of stoopidThere’s a whole chunk of “dyes” listed for various colours (some are REALLY dumb…), but ANY site that immediately tells me i can use SALT and VINEGAR as a MORDANT or “fixative”, is IMMEDIATELY scoffed at by true natural dyers. Do a little research. (For one thing, vinegar is a MODIFIER, (and a Ph adjuster)not a mordant. Go look up the definition of mordant, you idiots.) Just because this is “Pioneer Thinking” doesn’t mean it’s true. “Pioneer thinking” also includes a hell of a lot of old wives’ tales. There are SO many good books, fantastic teachers and methodology sites, there’s no excuse for this ignorance. Stop perpetuating it, UNexperts……………

Back to regularly scheduled stitching again while things stew and rest.

 

Posted in embrilting, in progress, Residency 2016

hexing

I’d planned on using these in a more ambitious project, but now they will be on the face piece–and i need a name for her soon!

Since the hexagon shape often appears in my work on the background as part of the “embrilting”, it’s a natural progression to add them in a more dimensional form. I like these shapes as they evoke honeycombs, cells, natural forms. These will all be puffed up and added along the bottom corners in various configurations, “dripping” off. And i think the Caron Wildflowers “Ash” (#218) is my new favourite colourway, sliding from fog and snow and back again, especially on this “filler” fabric i designed during residency.

tr aug 7

I hadn’t realized/remembered the face fabric being so gold, so will have to work out a proper integration of the very white hexes!

tr hexes

 

I might have to build the canvas stretchers as well, as i don’t think i have any pre-mades this size.

There are now only 20 days until the deadline!

Posted in in progress

natural twist

Letting the thread do what it will. I noticed last night that my new stitching on the face piece has interesting refractions of light, due to the way the tansy/madder perle cotton twists, or not, as it’s used.

natural twistI *do*  drop my needle and thread once in a while to let the thread “rest” and go back to its off the skein conformation, but i like the way this worked. Not intentional, just the way the fishbone stitch worked this time.

Posted in Contextural Fibre Arts Co-operative, in progress, Residency 2016, Rust

finding the meaning in no meaning

I should keep my big mouth shut. Realistically, there is not enough time for me to create an entirely new piece for an exhibit that starts in 23 days, at least not with what i want to do to it….. Plans are wonderful, necessary to keep going and growing, but i don’t need to make myself any crazier than i already am, and decidedly do not need to frustrate my need to make with rushing and forcefulness. On that note too, what the hell is “concept” but construct?

So back to maybe not square one, but square 37? 🙂

Some of the ideas i had for the piece mentioned in the last post are valid for this, so i picked it up again last night, whacked a few more stitchings in, and can see where it’s going now.

se 1 poss

Still means a lot of work has to be done, but just keep going. I created the faces during residency for a reason. Read any trope or import into that.