Posted in a collusion of ideas, Deliberation--do something you don't do--or haven't in awhile, journal: lessons to learn

new play tool

MM, what a fabulous time waster tool πŸ™‚ I usually just use my trusty free download of Irfanview to fiddle with photos. It has enough “effects” and capabilities usually that it suffices to get the fires going. I also don’t have one-a them fancy newfangled “smart” phones that can download all the (mostly) useless apps everyone thinks they have to have. Once in awhile though, a computer tool comes along on a site that is useful for manipulating colour, line and feeling. It’s good to shake things up once in awhile.

Clipboard 2 b

Clipboard a

Clipboard 3 c

I really like this tool, so i spent a few hours with it this morning. Most of the “filters” distort your photo so much that the point is lost, IMHO. (And who really wants their work to look like a mass of peanuts or jelly beans, the American flag, or “Citradelic”????) I stuck to the “Kandinsky” filter, and found that while black and white uploads can give lovely images, the more strongly coloured your photo is, the more contrast and interest points there are. The panoramas below are the original sketches i used for my “The Weight She Carries” ( i used only one wing alone in the final work!) and the manipulated image. I find it fascinating that the mood of the original becomes completely different, joyful even. I still want to use the whole original sketches as works, but companion pieces in the “happier” version would be interesting as well, with different methods used in each.

no wings kand

red wings kand

If you want to play too, go to Dreamscope, but be warned: you could spend HOURS, DAYS, WEEKS futzing around. Be selective πŸ™‚ I won’t be going back for awhile: i have all the grist for the mill i need right now. (The larger your photo upload, the longer it will take—and magically, a 650×871 sized photo becomes a 894×1200 manipulation, go figure…)

Posted in a collusion of ideas, ice dyeing

damn damn, double damn

GRRRRRRRRRRRRR. I don’t know why i keep *&^%ing up with the background for the largest Leighton work. I try things and they don’t work, so again today i will pick out stitches. It might be time to alternate with some new stuff as well, stuff that doesn’t involve domesticity πŸ™‚

I was looking at these yesterday, a treasured watercolour from sweet Serena, and an old fabric journal page from 2006.

serena work C

i sing the body electric 2006And these ice dyes:

ice 4 2

ice 3 2

Still loving that moon thing that has been happening, so they will undoubtedly pop up here as well.

ice moon 2

ice moon 3

ice moon 1

ice moon 4

ice moon 5And the texture on this older sample gives me some ideas as well.

red moon

I *do* tend to obsess over possible multiples, but in the end, only a few will make the cut–that short attention span for a motif still crops up. Even so, looking at them this way prompts other uses, techniques, and stories.

I’ve subscribed to Seth Godin’s blog, and today quite resonated with me:

The focus that comes automatically, our instinctual or cultural choice, that focus isn’t the only one that’s available. Of course it’s difficult to change it, which is why so few people manage to do so. But there’s no work that pays off better in the long run.

Your story is your story. But you don’t have to keep reminding yourself of your story, not if it doesn’t help you change it or the work you’re doing.

Posted in Deliberation--do something you don't do--or haven't in awhile

impatient curtains

I have sewn for Greyman, myself and the homestead not for a long time. Our front porch/sunroom still had the drab utilitarian curtains up that came with the house, so i decided to whip something up a little more memorable. Our new neighbours will no doubt hate them, but it’s my job as neighbourhood artist/freak to offend, bother and bewilder people, so WTF.

For the record, i made a few mistakes due to my haste in getting them up. I haven’t done any domestic sewing in years really. They DO hang straight, though in the photos look a bit wonky due to angles and crammed in corner stuff, but i assure you they are rectangular at least. However, one set is one up, one down, motif wise, and the others not only had to be patched for length, but one is wrong side away……..but they are all rectangular πŸ™‚

impatient curtains

impatient curtains 2A very loud African batik, i didn’t know what else to do with this fabric. I think at one point i was actually going to make lounge pants out of them, but they would scare my couch when i sat on it, so nope. These below will be pyjama-ey lounge pants, the blue cheetah for Greyman and the wild flowers for me.

domesticity pantsAnd because i was on a roll, a new pincushion.

pinned heart

Just what i need to add to the 11tybajillion others. But it’s cute made from fabric i designed way back and had printed by Spoonflower.

What next? Cushions i’ll have to hide because the DogFaced Girl will muck them up, a new top (tunic style as always) for me that i’ll probably wear once at a wedding, and whatever else my bored little mind comes up with. There’s a reason i am no longer a domestic goddess.

 

Posted in in progress, Indigo Dreams, Leighton work

revision, revision

background planWell, first i cut the bottom half off. The borgles are wonderful, but are doing nothing for this one as i had intended. That’s okay because it can be pressed into service in other work. You have to know when to “cut your losses” πŸ˜‰

The moon is progressing. I shall have to pull out that bungled running stitch on top of the outer ring, looking more petal than sky.

moon april 3I’m getting “blue-ed out” as well, and need to turn my attention to something else to pace myself and keep the flow going. Interrupting myself is one of the ways i actually continue.

My computer and keyboard are having issues, so that’s enough today…………………………………….

Posted in ice dyeing, Leighton work

she grows slowly

Back to the serious stitching. Some photos due today for the exhibit promotions!

she grows slowly

Third batch of ice dyeing was mostly BLECH, so disappointing that my camera ran away after taking a shot of the one piece i like. Lesson learned: the fabric i used for the first batch was the best.

ice 3 1

ice 3 1 detail

 

Posted in Contextural Fibre Arts Co-operative, Dyeing, Home Cookin' the Cloth, ice dyeing

second batch ice dyeing

While it may look i am on a binge right now, that’s not the case πŸ™‚ I have one more batch soaking in soda ash, and when that is done, there will be a hiatus as i still have lots of stitching to do with Leighton exhibit work! I do however need to rebuild the stash after clearing out a lot of old fabrics that simply are not “me” anymore. (And besides, it takes time to make more ice cubes!)

These are the second batch done yesterday:

ice 1 2

 

The mandala effect on the one below SUX, for whatever reason…..

ice2 2

 

I must have discharged or not washed out enough of a resist on this one at some point, because look at those spirals!

ice 3 2

 

Screen printed scrap:

ice 4 2

 

Another piece with discharged or resisted spirals:

ice 5 2

Strange how on the one below, that the satin face didn’t take as much dye as the back side of the fabric, a very solid matte:

ice satin face

Not as successful as day one, but there are areas that are definitely very pleasing, and will certainly get pressed into use. The fabrics i used were different from yesterday, one being softer and almost having a nap, the other (previously screen printed) very crisp, and possibly some polyester content? I “batched” as usual, so method is not the problem.

This time i used warm black, violet and red, and i know with this one that because i used “base” colours, there wasn’t as much colour variance, but i also expected the red and the violet to be more saturated. My first batch was using a new warm black, a very old golden-yellow and a very old scarlet, which all struck beautifully. You’d have thunk i’d used many many dye powder rainbows! All grist for the mill, nonetheless, and obviously i’ll be using more of the “mixed” colours. I suspect my “pure” (base) turquoise is not going to be very striking either πŸ™‚

My old Procions are from a garage sale score about 15 years ago, and i don’t know how old they were then! They survived floating around the basement during the 2013 flood, with half dissolved labels and rusted on lids as the only “damage”. I gotta say those lids are TIGHT because the powder was/is dry as a fossil. I don’t know about the shelf life of these powders, and am assuming some potency would be lost, but will see what happens when i use the new i have.

And now, i’m gathering again in the thrift shops, as i need to replenish my stock of dyeables—i have lots of ideas for the upcoming ACAD/Contextural Residency 2016, involving my usual rust processes with natural dyes.

Posted in Creative Strength Training with Jane Dunnewold, Deliberation--do something you don't do--or haven't in awhile, Home Cookin' the Cloth

Ice, ice, Baby

Part of my “training for creative strength” over the past three months, is to try things i haven’t done, or at least haven’t done successfully :). I signed up for Susan Purney Mark‘s ice dyeing class, thinking i’d like to add some more colour fabrics to the arsenal.

Good thing it is ice dyeing, because Calgary this winter has had a great dearth of snow. It’s been the brownest one i’ve ever seen. And OH MY, what a difference having proper instruction makes!

ice 1

ice 2

ice 3

I know now that my previous results were extremely wasteful of dye powder—another reason i gave up at that time. Though i know it’s not the last available, any i have is hoarded until i periodically slap myself and wonder what the use is of just storing them πŸ™‚

 

I also am tired of trying to re-ecoprint failures, as they have never worked for me. Once done, they seem to be done, and most of the time if they DO ecoprint again, i end up with a muddy dark ugly mess of a cloth…….This means i have more than a few boxes of fabric that is uninspiring, horrific, embarrassing and with a face like a can of smashed ass****s. Cloth of course should NOT be thrown out regardless, and can always be overdyed. Naturals weren’t cutting it either, so for this next little while, i’ll be winnowing out the deformed and grotesque, and whacking some ice and Procion over it. There’s no rule book that says you can’t combine natural and chemical. And i LOVED the golden yellow and violet Procions bits added to the indigo overdyed grevillea ecoprint in previous posts :).

This is the last week of Jane‘s class as well. I admit to falling behind and must spend the coming weekend catching up—no point in not pushing myself to the limit, and hopefully beyond. I’ve learned more than a few things about myself, the way i work, and why i work the way i do, valuable.

Posted in Leighton work

when a screenshot tells you something :)

Of course, it would be impossible for her *not* to “go” with the moon, as she’s done from the same fabrics and threads, but it’s still nice to see the play that will occur in two separate pieces!

I must remember too that to harmonize her into the background nearing the end of this piece of the project, i have to leave the bottom a bit more open and not turn the edge.

Posted in in progress, Indigo Dreams, Leighton work

mother of moon

I was going to do just the indigo blue “crackle” stitching on this lovely figure, but decided that since she is a mother archetype for me, that the roots could strengthen the story. The moon will reflect on her, and she on the moon, and the mountains and river will enter the story easily as well.

This indigo dyed grevillea ecoprint could be one of my favourite fabrics now. Did i subconsciously choose the perfect layout for the roots across her? They twine across her body, cross over her breasts, even mirror her face. Only my subconscious knows.