Posted in a collusion of ideas, Collusion: sampling, in progress

saddled up again

After much coin, and many many hours of patience on Greyman’s part, the computer has been completely replaced, and is humming along again. Whew. Fortunately i had managed between freezes to back up all my files!

I didn’t get as much stitching done as i’d wanted to–that pesky life interference thing: dishes, groceries, laundry, housecleaning, etc etc etc etc……………–but i’m happy that my idea will be able to be used on the background of the large piece i’m working on.

From this old sketch:

neuron-pattern-skecthto this little sample piece:

neuron-sampling

Halfway through the stitching, i kicked over the box of paints from previous weeks sketching, and grabbed the bronze Lumiere for some discrete application. Just enough shine, but singular enough to be a feature as well. (Actually it was pretty dried up, but a bit of distilled water, a shake and a stir,  and it was good to go again. Waste not, want not!)

I’d been looking at bits from Raggedy Black Heart, (also the current background for the blog) and really liked the idea of using the idea again.

rbh-detail-discrete-gold

My Valdani threads arrived, but alas, i don’t think any of them are going to work on this piece, as beautiful as they are!

valdani-threadsI had thought the second from the top one would work on the potassium permanganate sections of the background, but it’s too pale and has too much white. And the dark threads are too dark! One of the pitfalls of online shopping is unfortunately, incorrect colour on the monitor, and alas, most shops have photos too that are so dinky, you really can’t tell what you are seeing properly. Luckily, my 123 order threads *are* the right colours as i’m just replacing the ones i’ve used up. Still, they are a lovely addition to the stash 🙂

I also managed to get a fair portion of the second seam done, though have to wait for the final run of threads down it, as i’m out of the Sticks and Stones colourway. One seam looks like another, so won’t show you that!

January has been extra cold and bleary, so it’s lovely to see my Tithonia in bloom!

january-tithonia

And my Jalapeno and Chocolate Beauty peppers under the growlights have blossomed and fruited!

I’m going to stay as unplugged as i can for awhile, as tempting as it is to waste so much time. I tend to obsess over certain sites, or do too MUCH research and i need to concentrate more on being in the stoodio. It’s fine to be “inspired”, but if you never do any work, what’s the point? I don’t want to be just an idea stacker, but a doer.

 

 

Posted in a collusion of ideas, Collision: the work begins, Days of Honey, in progress, journal: lessons to learn, Residency 2016

“You’re doing it all wrong”

Brain farts. Can be good, can be bad, sometimes brilliant, sometimes SO SO SO stoopid……….

Why re-invent the wheel?

Though i will still be using the procion dyes, i decided this project NEEDS fabrics created during my summer residency at ACAD.  My evening’s “celebration” includes a glass of good wine, a cheesy action movie and the first 8″ stitched of a large commission that will take most of my next year! So, happy new one to every and all.
Salut!

gm-1

 

Posted in a collusion of ideas, Jam Day

still hexing in my mind

configurations C

ecoprint hexes b C

ecoprint hexes CAbove, a couple of years ago, i thought of making a small “traditional” “quilt” using these ecoprints. That went by the wayside and i did sell the pieces as packs, but i’m looking at things in a new light and getting excited about plans for work after the current piece is done.

Looking at older work sections as well, and loving the textures and soft colourways:

Haystack in progress 2010 C

Haystack in progress b 2010 c C

Haystack in progress b 2010 b CNow i admit, i “plan” a lot of work, get all dithered up, and then when it comes time, realize the idea is not ripe enough to work, or in execution does not please me after all. (A lot of that going on this year for me, for whatever reason….) Those plans get stuck on my work blog, sometimes re-appearing, sometimes cannabalized, but often dismissed and forgotten deliberately.

However…………this time, since i have been wanting to Return to the Machine, even if for only a bit, i can see my lovely new hex work done this way as well. Pulling together past work sometimes sparks new ideas that can be integrated into one piece. It’ll be abstract, rather than pictorial as most of my work has been recently, but it’s not always about the recognizable, the tangible object that gets my juices going.

As i was cleaning my stoodio yesterday, i found a leftover piece from “The Difference Between a Plum”— and look:

next projectOOOOOOOOOOOOOOOOOO!

Now i see hexes used in this colourway and feel:

tdbap-feb1poss-sm

sol-for-tdbap

Soluble lace, machine work, hand stitch, shapes, woven sections (thanks to Jude for that wonderful class), natural dyes and soft colours. Of course, nothing can happen until the current piece is done for the Aug 28 deadline!

But, this one could be, will be, next.

Posted in a collusion of ideas, Contextural Fibre Arts Co-operative, in progress

pull it together

Seeing all these photos in one entry makes it look like it’s going to be complicated. I don’t know how anyone else pulls elements together, but i visit the past (from my own work), research and then extract certain motifs or techniques and fit them together in new ways.

simple moonAbove is the base fabric, the main component of the piece.

I’m looking at these shapes below, seeing them surround the circle/hole/void/portal/egg/seed.

3d-forms-plan-1

Above, original sketch/painting (2013), below in process detail from “Nightmare Interrupted” (2014).

acob front jan 18bsm cWhat i have in mind to do though, means that base fabric isn’t big enough. Below, the “filler fabrics” i deliberately created during residency this year will be pressed into service —and stitched and cut and pieced, as well as pressed 🙂

filler fabrics

I’m not sure if i will use both, piecing them into each other, or just one. The honeycombs/hexagons/cells make a re-appearance, a motif i return to often, symbolizing for me nature, chemistry and beauty. Hexagons occur naturally, are not just a man made construct, in everything from beehives to snowflakes!

hex 1

 

There’s machine work involved in this one as well. Lalage hasn’t seen much action in awhile, so i hope she complies!

page-1-2

I *think* the projected size will be around 24-30″ “square”, though my intent is not to make a square piece, but a dimensional, wall hung, more sculptural piece.

SO, now with the deadline only 25 days away, i best get at it!!!!!!!!!!!!!!

Posted in a collusion of ideas, Deliberation--do something you don't do--or haven't in awhile, Probably talking to just myself

deeper soil

My garden for the second year in a row is holding its breath–a kind of regrouping, a rest, making sure those roots are deep, the buds turning the right way, and then surely waiting for the sky to blue deeply.  Even though i’m a flowergirl by day at work, flowers, plants, roots have been on my mind much more than normal this summer. Time to plant another garden, one in my thoughts and growing from my fingers, deeper soil.

roots

Since the flood in 2013, roots have been prevalent in my work.

temerity2

I think of how roots not only let things grow, but anchor, delve deep into layers and layers, pierce stone, search water, search earth, seeking nurture and permanency.

red rock canyon b

Every time we go to the mountains, my eyes find the seekers, the holders of place and time. Taken at Red Rock Canyon in Waterton Park last week, these visible reminders show me the dominion of tenacity, the innate desire and need of solid ground to moor so growth, flowering and seeding can happen.

Roots are veins as well, and tendons, supports, carriers of blood, droghers bearing impulse, explorers of new territory, guardians and defenders of old ground.

arlee-barr_a-river-ran-through_2013_fullview-c

arlee-barr_ebb-and-flow_detail_2014

awutb-done-mar-14b-c1

sstf-root-waves-sept-30-sm

There are always cuttings on my windowsills with fine filaments waiting for soil.

roots sillCreeping, settling, looking for any escape, solidity.

I’ve been struggling, seriously doubting, second guessing, sabotaging and burying things the last month or two. Despite a good life, a decent job, and people and animals who love me, i’ve been fighting the Black Dog again. *That* root is unfortunately very strong, going to my bedrock. I’d like to bury that damn dog far below the surface, fossilize it, break it into small parts that will feed new growth, root new stock. Go back to origin. Go to ground. Till over and start again. Make it disappear but for a few fragments of coal.

Or diamonds, should i be so lucky.

I can’t not make, as presently hard as either approbation is.

 

Posted in a collusion of ideas, journal: lessons to learn, Milkweed Studies

riding off in all directions at once, total recall

Too many possibilities! But not enough thought, texture, design in the start……………….

I’ve stuck myself in a rut, as much fun as it was to design “whole cloth” fabrics to work with. I need to go back to piecing in, layering and shaping. I also want to go back to myself in a sense, maybe with the GIRL series from 2012.

girl march 28 2012I can “see” this better now:

milkweed paintstudies C

mw fabric 1

Maybe i’m just rambling, but i knew last night when i started stitching on the whole cloth piece, it didn’t feel right, didn’t satisfy, so much so that i burst into blubbering howls at a stupid, manipulative Sad Overly Dramatic Moment on the tubage because head and heart was so unhappy with what my hands were doing. Triggers are funny/strange/unrelated things.

Michelangelo-pietaSeriously? Yup, on “Containment” believe it or not……..

I still have some of that beautiful lace i used in that 2012 piece, i have bits of soft silk in the lavender and pink colours, i need more dimension and tactile whoopteedo’s–because it’s that texture that gets my heart racing, therwise it’ll languish in that damned pile of Maybe Someday I’ll Finish It. I post sometimes maybe too fast, too enthusiastically, and then Reality sets in, and the race is ended before it even began. Start at the beginning again. At least there isn’t any ripping out to do, and the start can still be incorporated.

Posted in a collusion of ideas, Milkweed Studies

after the blues have gone away

With a very healthy stack of new fabrics to work with, i turned my attention to sketchbooks from the past few years, and pulled some ideas that leaped out at me. Some date back to 2011, and gave a recurring theme. Browns, soft vintage violets and lavenders, machine work (!!!!yes) and “stacked” techniques, these are jump off points, and may or may not be incorporated in some form.

mw start

I’m calling this period/amalgamation the “Milkweed Studies”, though some of the resulting work won’t be recognizable as milkweeds! I started thinking about milkweeds back in 2013 when i was in FAN but never completed the piece and had to drop out of the exhibit, something that embarrassed and horrified me, as it was a collaborative effort with someone else. Being a gardener and protector of bees, butterflies and other pollinators, also means these plants are vital in my world view, despite the invasive label they have in some areas.

A few pieces get dropped right away, though filed for other work in the “series” maybe, and i am left with these:

studyingThe small black and purple page is a line study of sorts; though it’s a pattern in a sense, it will be merely a guideline with the fabric above it. The small milkweed paint sketches are my real focus, but they won’t be translated as purely in the final work.

milkweed paintstudies C

mw fabric 1

As excited as i am by the face and figure pieces of fabric that i did during the residency, and though i have started on one face already, this is where my focus will be for the next while. I have a deadline again with the residency show, and will work this into the theme of “SelfEdge”, as the interpretation is rather loose. (It’s all in the artist statement when and how you write it 🙂 )

I’m going to incorporate hand and machine work again, something i haven’t done in awhile. My purist, obsessive side disagrees, but my pragmatic, it’s-just-a-tool side is thrilled. Let the fight games begin!

 

Posted in a collusion of ideas, Jam Day, Residency 2016

res day 7, at home

Somehow i ran out of cotton last week, and have to replenish the stock! In the meantime, i thought i’d play at home Monday, and see what i could do with one of the faces from the first week, kind of a ResJam day 🙂 (Those of you who followed the first albedo blog will know that a Jam Day is a time to just futz around and make messes, colour and joy, refuting the White Queen’s “Jam yesterday, jam tomorrow, but never jam today” statement!)

choosing threads first face tr

Choosing threads this way sparks the design too. Not all will be used, and i never decide on which stitch where until i load a needle. A mix of weights and twists, the proper colours and stitch types will fall into play as they will themselves to. I do know already that my original intent to recreate the face as a Dreamscope interpretation will fall by the wayside, as the piece tells its story the way it wants to. Dreamscope is fabulous for spurring ideas, and i have no doubt i could “copy” those results, but for now, this one at least will be its own master.

Based on this one below, from an original piece done in 2007, the first face above will be quite different.

ink tr flip

I’m mulling over ideas for adding additional colour to the background of the next one to be “inspired” by the above Dreamscope manipulation. I realized i don’t want an exact interpretation into thread and cloth, but it certainly stirs the imagination!

 

 

Posted in a collusion of ideas, Residency 2016, Rust

res day two: nature and/vs technology

I had this bright, ambitious idea while playing with Dreamscope, to build some fabrics reflecting the different effects a photo editing application can have on a particular design. Since i make specific designs anyways whether i ecoprint or rust, it’s a natural progression in my mind. My hand drawn sketches are at best thumbnails and notes, (my handwriting is very difficult to read after 39+ years of taking orders over the phone that had to be done fast so as not to piss off the sender….) but sometimes they’re so obscure even to me, that developing some 21st century skills felt right.

I initially had plans first for this one.

 

res 2016 challenge

rebar 1

Still going to try it, as i envisioned it in piecing, and the photo of the fabric directly above this paragraph will come into play there,but i thought i’d best start with an easier task in designing the “base”.

ink face plansMy first try sucked.  I gave up half way through and this is the miserable result:

bad wiring

Trying to get the wire on to begin with was a bitch, trying to get it off is even worse!!!!!!!!!

The second experiment with the addition of a circle/moon. Kind of wishy-washy, but a start.

first facesThen i i knew what i wanted to do and how.

tr 1

atlan face 1

face doubles C

It’s quite satisfying to take old work and put a new spin on it, in a style that has developed over the years since first creating this one. It was made 10 years ago, in my “burning, machine-stitch-only- ’cause-handwork-is-tedious-and-not-artistic, use lots of glitz” phase. I pooh-poohed digital manipulation a long time too as it seemed like “cheating”, but hey, it’s just another tool. The original designs are mine after all, and if i had the skill to paint them by hand, would it have been any more “pure”? The initial work took a long time, the manipulation a very short instant gratification app online, the natural processes took overnight to react, and then the stitching will take a lot of time, so how can this not be hand-made, hand created, mindful, deliberate, satisfying? Working this way to me is like prepping a canvas: lay the base layer of primer, the first jots of colour and then interpret and extrapolate your subject.

 

Posted in a collusion of ideas, journal: lessons to learn

the moment between the thought and the needle

there’s a moment between the thought of a loaded needle before putting the loaded needle in, and that can change the whole

 

something becomes something else, it is nothing right now, it’s going away

the old other, the familiar other, the intuitive, comfortable, too comfortable maybe, but our feet always seek the warmest sunspot on the floor

or it’s simply evolution, flux, metamorphosis, mutabilty, not an earth shattering reversal, just a side step

or do we seek the deepest path we have already worn?

The Heart wants what it wants – or else it does not care -Emily Dickinson