Posted in a collusion of ideas, Residency 2016, Rust

res day two: nature and/vs technology

I had this bright, ambitious idea while playing with Dreamscope, to build some fabrics reflecting the different effects a photo editing application can have on a particular design. Since i make specific designs anyways whether i ecoprint or rust, it’s a natural progression in my mind. My hand drawn sketches are at best thumbnails and notes, (my handwriting is very difficult to read after 39+ years of taking orders over the phone that had to be done fast so as not to piss off the sender….) but sometimes they’re so obscure even to me, that developing some 21st century skills felt right.

I initially had plans first for this one.

 

res 2016 challenge

rebar 1

Still going to try it, as i envisioned it in piecing, and the photo of the fabric directly above this paragraph will come into play there,but i thought i’d best start with an easier task in designing the “base”.

ink face plansMy first try sucked.  I gave up half way through and this is the miserable result:

bad wiring

Trying to get the wire on to begin with was a bitch, trying to get it off is even worse!!!!!!!!!

The second experiment with the addition of a circle/moon. Kind of wishy-washy, but a start.

first facesThen i i knew what i wanted to do and how.

tr 1

atlan face 1

face doubles C

It’s quite satisfying to take old work and put a new spin on it, in a style that has developed over the years since first creating this one. It was made 10 years ago, in my “burning, machine-stitch-only- ’cause-handwork-is-tedious-and-not-artistic, use lots of glitz” phase. I pooh-poohed digital manipulation a long time too as it seemed like “cheating”, but hey, it’s just another tool. The original designs are mine after all, and if i had the skill to paint them by hand, would it have been any more “pure”? The initial work took a long time, the manipulation a very short instant gratification app online, the natural processes took overnight to react, and then the stitching will take a lot of time, so how can this not be hand-made, hand created, mindful, deliberate, satisfying? Working this way to me is like prepping a canvas: lay the base layer of primer, the first jots of colour and then interpret and extrapolate your subject.

 

Posted in Contextural Fibre Arts Co-operative, Residency 2016

res day one

After a week of thinking and being at the Day Job after the May 29th orientation at ACAD, i finally got in to the school and some WORK done! I know some of my compatriots have already done HUGE amounts of their particular practice (and no, it isn’t a competitive sport, so don’t get me wrong), but hopefully this week, i’ll have something to show i’m doing something too. Day one was yesterday, because as i mentioned yesterday, results are always seen the next day 🙂

The major benefit of this residency is the space available. I could set up in my backyard in the summer–and have in some years—but the fact that i don’t have to battle with breezes, bird poop and not enough flat surfaces, is a real treat! And the school has some fascinating well rusted metal bits donated by various other studio practices in the annex 🙂 For the second time ever, i had company in that studio as well, so the time passed quickly with good conversation, and shared bitching about the heat 🙂 I find it very hard to concentrate if it’s too hot. When it’s cold you can always put another layer on, but if it’s too hot, you can’t take your skin off!

I’m not going to show you but one piece today. Not because i haven’t good results to show, but because i am so pooped from the heat, that i didn’t take the time to photograph all, or well.

feather C

I’ll be offering the feathers again in my shop, sometime next week probably, after they have “ripened” and been washed and pressed.

I am VERY happy with the pieces i have slated for my self given challenge, and will definitely be using one (or several) in the residency end exhibition “Self Edge”.  I realized half way through the day though that i need to stop making them–how many faces do i need?????

 

Posted in journal: lessons to learn, Residency 2016

the waiting is the hardest part

Day one, Res 2016

Speed Bump by Dave Coverly

Speed Bump by Dave Coverly

Sweltering heat in the dye studio, none of the windows are openable. (WHO designed the gawddamned place anyways??????????? NONE) I managed three hours in there and melting, decide to come home. Day one is always a waiting game anyways as natural processes do what they will.

I brought one thing home with me to speed up the experiment, and all i will say about that is NEVER lick the end of a metal thread when trying to load the needle. I’m not so hip as to want a pierced tongue.

And i have to pass by the cowboy’s ass again everyday……………………

Ha, made ya look.

 

 

Posted in "OPINIONATION", Collusion: sampling, Residency 2016, Shows/Publications

small exhibits: somewhat tongue in cheek, and “copying”

The National Gallery of Contemporary Fibre Art is a chance for all of us to produce small works and set up a display, complete with postcards, bio and statement, samples etc. Unfortunately, it’s not very visible to the public, buy hey, it’s a heck of a good way to “practice” and show is show ! It sounds so fantastic! 🙂 🙂 🙂 🙂 In real life, it’s a showcase on the 4th floor of the Studio Arts , and is only visible to residents, techs and anyone who has a valid visitor pass! I’ll take photos the next time i’m at the school so you can see it in all its glory 😉

Since i had been planning on some red/black/white work and scored all that fabric from the student cast off bins, it was a perfect opportunity to showcase some new ideas. The original photo was this, from 2011 (mine, original Original lost in a hard drive crash, so i have to work from a small version):
OLYMPUS DIGITAL CAMERAI “warmed up the temperature” in my photo editing program (Irfanview):


Cropped it,as i have time for only a small portion of this, due to time constraints and sampling efforts:

Turned it to black and white for pattern purposes:

OLYMPUS DIGITAL CAMERA

And started chopping fabric, discharging, over dyeing–from 3 fabrics then (bottom fabric in each pile), i have 10 colours (though in the photo, the top reds look similar, they *are* different). The left red and the bottom black were a poly/cotton blend after all, but i like the effect the discharge and then overdye had on the black!

red experiment fabrics  They do not “match” the reds and red blacks in the photo, but that isn’t the point. And interestingly, some fly by brainlet on the QA mailing list pontificated that you were “copying” even if you used your own photograph!

Seriously, you think you are “copying” even if you used your own photograph??????? Why would that be any different than using your own sketch, your own notes???????????? I HARDLY consider it “copying” myself if i use my own source material, no matter WHAT medium i have “sketched out” the idea in.

A rather narrow viewpoint then, if no one can take inspiration from what is around themselves, be they photographer, sculptor, painter or textile artist…….Contrary to this belief, things do not spring “full blown from our sweated brows”!  She also made the comment that the old Masters just DID the painting, no models, no “copying” from nature, no studies, BULLSHIT. Why else do we have all the preliminary sketches we are able to see now of pre-work done?????

Now to select some threads.

 

 

Posted in Residency 2016, Residency 2016

reminders ;)

You know how FB has those “on this day” memory prompts with old posts? Got this one today. “Greyman has tried to throw out or get me to throw out this tshirt for years. It’s actually the second one i’ve had like this over the last 13 years (predating him, hahah), and i’m going to make it Beautiful:)” (May 30, 2011)

reshirtectionI did get a WEE bit done that year:
ResShirtection detail
A play on words, it is ResShirtection. (Residency Shirt Resurrection, get it? I think i’m so funny.) It just happens to be sitting on a chair on the stoodio–and i think it’s time to finish it!

Posted in Contextural Fibre Arts Co-operative, potassium permanganate, Residency 2016

black and white, and red all over

Yesterday’s orientation went well, with 25 participants this year, old friends and new friends joining in. We were also reminded that this year’s “theme” for the end of summer exhibit is “Self Edge”, a play on selvedge. HMMMM, ideas abounding.

I was thrilled also to see an active potassium permanganate vat that i can use! This bodes very very well for the challenge plans i have for myself. Photos below are from my 2012 residency.

process2d C

r-and-d-1 C

res20greverse

gold-moons1 C

The big bins that hold donated (or discarded!) yardage from students have grown to three! These treasure troves are large enough that one could fall in! I’ll have to crawl in the next time. I left some–great way to reduce my own unused stash–and took some, just barely stirring the top overflowing layers. And what a score it was!

In my sketchbook for a good while have been plans and scribbles for work using black, white and red. I found approximately 15 yards of red, maybe 4 of black, and a few assorted white in different weights and weaves. OOOOOOOOOOOOOOOOOOOOOOO. I know there’s some polyester in the mix, as most “broadcloths” sold these days are a 60/40 mix, but that’s okay. Fabric is fabric, and there’s enough cotton in them to do what i need to do.

Now i have to go buy some big plastic sheets to protect tables (HOW did i forget them on the list????), and dig out my notes from the 2012 residency, and hopefully i can get in there tomorrow morning to start! (One of the other Residenciers (? 😉 ) has already screenprinted major yardage!)

Posted in a collusion of ideas, Contextural Fibre Arts Co-operative, Residency 2016, Residency 2016, Rust

my residency challenge

Today is Contextural’s residency orientation, a procedure we all do, no matter how many times we’ve done residency. It reminds us of where everything is, proper studio procedures and safety, and introduces us to each other. I don’t count it as “Day One” though—household matters aren’t going to let me start today with actual work there! And because i do have that pesky Day Job, the first day may not be until later in the week.

This year, amongst the glorious free-form do-what-they-want-to-will-do natural process fabrics i’ll be making, i set myself a challenge.

In a previous post, i showed you these, the original painting sketch and the Dreamscoped “amber fractal” result:

res 2016 challengeI could take an easy way out, and simply dye paint the fabric and do the usual “crackle stitch” to delineate the lines and fractures, but i want more than a flat surface.

From previous experience, i know that each type of cotton weave or finish has a different effect on rust marks. Cotton sateen lets the rust have crisp, almost floating marks, broadcloth lets small details be clear, twill and anything with a distinct “motif” (stripes or florals woven in, think damasks) “interrupts” itself, flanellette is, well, fuzzy, haremcloth makes the sheer aspect visible, and pima can do all of the above, except for the fuzzies! I also know how any dyes will “spread” or separate on the surface. This year, because of my participation in a recent Susan Purney Mark ice dyeing class, i may try to exploit the effect in combination with natural processes. I’m going to work with specific colours–if i can find them in ACAD’s student supply shop! This all being said, rust does what it wants to, as it wants to, so we’ll see how much control i really do have 🙂

First i’ll have to draw up a basic pattern for placement. There’s going to be a fair amount of piecing, and i’m thinking by hand, simply because the seam line is softer, and because there are so many “directions” the small marks are making on the “fabric’ in the drawing photo edit.

But first, i must “pack” for it! Greyman has to chauffeur me there, as i can’t carry all my supplies on the bus and train. Fortunately, we have a home studio there while in residency, and everything can stay put. And i’m looking forward too, to the student cast off box–always interesting to see what ends up as hopeless in someone else’s eyes, in this box. Reminds me of the old “free boxes” in the 70’s and 80’s!

Edited: Some of my previous fabrics done during residency are here, here and here.

Posted in Indigo Dreams, journal: lessons to learn, Leighton work, Moons

the flower moon

Let Pretty be, Let It Be, Let It be……….

ha.

flower moon progress

flower moon C

Sixth in the “series”. I have one more to do in this size, and then with a July 30 deadline looming (because those pesky spare five minutes-es are coming fewer and fewer between) MUST get back to the big one.

 

Had a dream last night about this one and i wasn’t Disturbed by it—- i *have* done “pretty” before and it’s one of my favourite pieces, so blah blah to the Inner Critic.

iw perfect

Posted in journal: lessons to learn, Leighton work, Moons

pretty (6th) moon

Honestly, i struggle with the concept of “Pretty”. Can it still be art? Pretty i suppose is in the mind/eye of the beholder, but i always feel i’m subjugating the subject….

Sometimes things take on a life of their own however. The sixth moon was made yesterday on a rainy day that prevented me from the annual “May Long Weekend” planting marathon, perhaps in direct response TO the weather 🙂

6 moon progress

Now to find the perfect background.