Posted in Creative Strength Training with Jane Dunnewold, Deliberation--do something you don't do--or haven't in awhile, Jam Day

stretched, and done

Done.

Prima Vera Moon

Prima Vera Moon in handNot that happy with either photo–i need mid afternoon light to do it justice–that’s when the true colours and texture are best! Will probably repost then.

So. What did i learn? Colour didn’t kill me. Even though the last few years have alternated between colour pieces and naturals, the colours were usually monochromatic (with the exception of “All the Gardens Dreaming”) . I can use what i have and not have to buy more–not that i have deliberately bought any fabrics other than white in a long long long time. I can work a background, then turn it into something without a lot of pre-planning. Hand embroidery CAN be cut up. Scale can become an inspiration or an issue–i’d be happier to see these figures *much* larger–and in neutrals 🙂

Though i am not as pleased as usual when i’ve finished something, i’m still quite happy with it, as an exercise and as a finished piece. I have no emotional attachment to this one, and THAT is what means to me that something is meaningful art. I’m sure however, that i could do something this way, in colour or not, that would be psychically linked. And i think *i* stretched a bit with this as well: colour, “story/subject”, time line. (15 days from initial idea and layout to completion.)

I have a lot of ideas in the sketch/notebook about how and where i can do this type of work in my more “serious” work. It definitely WAS a break for my brain though, not worrying about concept, what fit with what design wise, and no size or theme limitations.

Along with Jane Dunnewold’s current class, i have been reading other “thinking” blogs. I may not agree with all said there but this particularly bitey fangy post made me laugh and nod my head.

And now it’s time to get back to the other stuff: Leighton plans, translations of current lessons learned, and yes, still more “Screwing Around, With Intent”.

 

Posted in Deliberation--do something you don't do--or haven't in awhile, Jam Day

a clamour of colour

“They” say the more often you have sex, the more often you will *want* sex. 🙂  I’m thinking it may be the same with colour!

moon start 1 mmitm

mmitm moon(The two blue machined lines are basting only.)

The pictures i previously posted were taken early AM, so below is a better shot in late afternoon that shows the textures better:

mmitm prima vera figuresI started this bright piece Feb 3 and figure it will probably be done this coming week. Not bad for someone who was resisting using colour again! I’ve even been digging through the more saturated threads and pulling aside possible colour combinations, not for this one, but for other “Maybe’s”.

Now lest anyone think that i am ONLY going to the Bright Side, my sketch/notebook is fast filling with ideas for my beloved neutrals and naturals. The little Prima Vera figures especially have lots of potential on a larger scale and in a slightly different treatment. With a lot of free association going on as well in my vasty head, i have also decided finally on work that will reflect the Leighton piece that drew my attention last year, and that is to be in an exhibition at the Leighton Art Centre. I do still want to finish “Body of Water” as a companion piece though, again with intention from recent thinking and diagramming 😉

Crayons full speed ahead!

 

Posted in a collusion of ideas, Creative Strength Training with Jane Dunnewold, Deliberation--do something you don't do--or haven't in awhile, Home Cookin' the Cloth, Jam Day

colour prompts

We can all agree that usually FB is a colossal waste of time, gets our blood boiling with some postings, or makes us want to puke with the schmaltzy canigetanamendreaminspirethislittlegirlwillamazeyouhavethepowerchangetheuniverseyouarethequeenoftheuniverse memes, but i do find it handy as a prompt also! I think of the old history programs, when FB kindly reminds me that “on this day, you posted this” and shows you what happened each year on that date–assuming anything did happen 😉

On Feb 8 of 2009 i posted this:

metal and lace 2009

WOWZERS, look at that colour saturation and look at that texture! Now WHY am i not still doing this? I have the tulle, i have the metal (remember those stacks of things in the stoodio that rarely get used???)–what am i saving them for? (I’m NOT getting rid of stuff like this i admit, in the interests of honesty and Purge.) And you know what else? I COULD, CAN, WILL do this with the naturals and neutrals too.

The recent lessons with Jane Dunnewold’s Creative Strength Training class are paying dividends: colour, new designs, deep thinking, writing exercises, i’m getting it all.

A playful piece, the colour of this is rich and saturated. There are ideas here that will go into more “serious” work. I still can’t merge fun and “serious work” from those labels, these colours and techniques……Working on it! I DO believe you can do serious concepty work and still have fun—pleasure is subjective (metaphorically maybe!)

prima vera figuresAnd there is still scissor work slated for this one.

 

Posted in Creative Strength Training with Jane Dunnewold, Deliberation--do something you don't do--or haven't in awhile, journal: lessons to learn

deliberation

I’ve been immersed in lessons and trying things out from Jane Dunnewold’s “Creative Strength Training” classes. I can’t share what i’m doing really, except in the vaguest of terms, but looking at shape and colour has been quite invigorating. The exercises have me looking again at old work, refiguring how i did things, how i illustrated and interpreted concepts, developed ideas. That’s a good boot in the bazotski.

I have also re-realized (!) that my biggest obstacle to getting in there and DOING something is my ever present mess. No matter how many times i tidy, i can’t find what i’m looking for. It’s time to get mean and clean out the debris. There are things in that chaos that are never going to get used. It takes up work space, storage space and head space. There’s a BIG BIG BIG purge coming. EDIT: when this was written, i hadn’t gone through the bins and drawers yet–now you can reap 😉 But i did dredge out fabrics i had forgotten about and the colour is juicy, so why not?

Cleaning out also means cleaning out thoughts that say “you can’t do that, because it’s too pretty, too common, a compromise.” I’m not talking about following trends, making the same things others are, toeing the line with fitting in (forget THAT) –let’s just do those things that seem counter-intuitive to what i have been doing, and see what happens. A test if you will, to see what i can do that is still me. It’s NOT going to kill me after all. This might be a year of just, well, just “screwing around”. As much as i want to be taken seriously, make serious work, maybe it’s not going to happen for me. Am i trying too hard? Maybe that is the problem.

Then again, maybe there can be TWO of me. I think of a certain friend who is known for her gorgeous hand stitched, very colourful nature/floral work–who secretly used to make the most amazing quirky monstery looking rude dolls, with few realizing the two very different approaches were from the same person. As she posted: “With these creatures, i explore the darker side of my creativity.” Maybe i need to do the brighter side!

Colour. Colour. Colour. We all react different ways to certain hues. I’m afraid i’m afraid of it lately. Deliberately then, i have thrown this together.

meet me in the middle 1

It’s an “abstract”, something else i’m not terribly fond of, but it may become story-ish. BUT it doesn’t have to be “story-ish” either, BUT i don’t want to just do 11tybajillion pieces of running stitch attached boro ripped frayed edge cloth…..   but let’s see where it will go.  😦   😉   🙂

Tacked:

meet me in the middle 1bI made an oopsie with the flannelette i always use for depth and stability, but most of it is not visible anyways! (Usually when there’s a print, i put the white side against the fabric.)

oopsie

And the thread choices. I tried not to be too matchy-matchy, but i don’t want to be contrasting harshly either. The purple bothers me but i’ll just have to work with it. I don’t want splotches that draw the eye, but i think i have figured out a way to prevent that, or at least make it integrate. I LIKE the purple in the fabric, but the thread choice is a bit problematic, as i’m not sure which shade will work. Will probably do that last then so i have time to think about it and see what happens with everything else.

meet me in the middle threads

Since this is an exercise in colour for me, rather than just shape, its working title is “Meet Me In the Middle”. Part of the goal is to add “layers”, not in the sense of applying more fabrics to the top, but to build them with different thread treatments and pattern. Complex cloth, slow cloth, whatever it is, it will be as it is.

I can always cut it up or incorporate it later in something else! Nothing is set in stone right now, just “Screwing Around With Intent”. 🙂