Posted in FybreSpace the shop, Indigo Dreams, journal: lessons to learn, Natural Dyes

“shopfull” indigo revival

I had to make a new indigo vat, as the old one while having been successfully revived last year (after going through 3 frozen outside Calgary winters!), is now defunct, kaput, gone to the Great Blue in the Sky Vat. The 123 vat, well, we just won’t go there again…….i took the lid off and i’m sure the neighbours three doors down heard my horrified gasp. It’s definitely a note to throw out when it’s GREY, molded and has a suspicious pancake of solid yellow schmutz in the bottom that won’t break up……

As i was going through drawers and boxes, looking not only for dyes and chemicals, but fabrics as well, i realized too that it’s almost an anniversary, 8 years of natural dye, sometime around the beginning of August, and wow have i come a long way! In the beginning, i played and got lovely colours that didn’t last (no mordants!), used things that didn’t really qualify as a dye (lilac flowers, anyone?), but i learned from this what would give colour, a bit about post modifying, and got quite excited about indulging a childhood passion for “potions” and finally that actual RESEARCH means you can do it right, right from the start. I really knew nothing about natural dyeing, in respect to process, though i did know the basic history. Along the way, i also learned to ecoprint/contact print/botanical print, whatever you want to call it 🙂

Subsequently, in the shop are some wonderful combinations of natural dye, ecoprint and indigo. The prices are low, considering the processes, and the size, so please, do indulge yourself:) As always, any extra postage you paid will be refunded!

 

 

 

 

 

 

 

Posted in Days of Honey, embrilting, in progress, Madder, mordants and modifiers, Natural Dyes, Naturally dyed threads, The Summer of Madder (Study)

embroidery finished on pocket!

I just have to add some beading, and a bit of vintage lace (also madder dyed 🙂 ), a top band and then can move on to other parts of the garment.

I think it’s wonderful that all shades on this, except for the greens, are from various mordants and modifiers with madder on cotton (background), and wool, silk and cotton threads.

I *like* getting madder!

Posted in "OPINIONATION", FybreSpace the shop, Madder, Natural Dyes, Naturally dyed threads, The Summer of Madder (Study)

sharing the bounty

Though i could probably make several garments from the fabrics and threads created so far, during the Summer Madder Project, i’ve decided to add some to the shop.

All of these have been properly prepped, premordanted and dyed according to well researched practices, and historically accurate methods. NO BEETS< NO BLACK BEANS<NO FUGITIVE “DYES!!!!!!!!!!! I haven’t cut any corners just so i can make some coin, as i intend to use bits in my own work–and why short myself?! All of course, are natural fibres, in various weights of silk and cotton, as are the threads. All have been well rinsed after, and because they are done correctly to begin with, there should be no bleeding. Your methods of care may influence the colour, but not out of the ordinary. (Even synthetics can fade…) All natural dyes should be treated with care ie, minimal sun exposure (you can wear it once in awhile at a sunny festival, but not everyday), proper wash handling, which means hand washed with a NEUTRAL soap (Dawn Original dish soap, believe it or not, is perfect, and is what i use), and storage in a closed drawer, closet or box. This all being said, if you are adding it to your stash to use in art textiles, rather than wearables, well, most of that doesn’t apply, except for the sun exposure. Nobody hangs a painting where sun will hit it, and neither will you with your art, will you? 🙂

Posted in journal: lessons to learn, madder, Natural Dyes, Naturally dyed threads

summer study

I’ve decided since i am much a gadfly these past few months with everything but dyeing, that the summer is going to be devoted to studying madder.

Previous to October of last year, my results were weak, embarrassing forays into pale pinks and peaches, ordinary orange, and unenthusiastic brawny beiges when the pot gave out . (HA, that was supposed to be “browny” not “brawny, but some of them were rather beefy! 😉 ) Somehow the magic clicked on October 3 and i finally got RED, red in all its permutations. Though i previously kept notes, i’m not sure why it hadn’t worked until that magic day–heat? Amount/WOF? Improper mordanting? Dunno, don’t care, because whatever it is i’m doing now is working.

I’ve run out of my Maiwa kilo of madder, but managed to scrounge around the Dye Dungeon and found this:

An extremely fine powder, probably due to its age, i encased it in a nylon pantyhose foot. It’s not only a pain in the bazotski shaking powder out of threads and yarns, but it wastes the bits as well, which may still have some colour left.

Alas,  Wide World of Herbs Ltd was dissolved in 1985, long before the web was prevalent, so there’s NOTHING about them, their products or where this madder actually came from. I would like to have supported them, as they were based in Montreal, Quebec (yes, that is SO in Canada 🙂 ). Next best thing, THE best thing now is to buy from Maiwa. (Ordered this morning!)

(In one or two years, i can harvest roots from my own “home grown”.)

I do love red. Before i got into using natural dyes, ecoprinting and rust, which resulted in a lot of earthy neutrals and vintage-y colours, i used a LOT of red in my work. It was unconscious (subconscious?), because i always thought i loved orange. I still do, but in smaller slices and dibs! Red evokes so much to so many, everywhere in the world, politically, spiritually, emotionally, artistically.

Now this isn’t meaning that *i* am going to discover a New madder colour. Look at all of them! There are many more experienced dyers, researchers, scientists and hobbyists who get these results, than this one little personal Dye Dungeon. I however want to know what *i* will get, in my “conditions”–water, heat, the madder i use, the methods i use.

I’d rather be doing something, than the whole lot of nothing that has been going on!

Posted in "OPINIONATION", FybreSpace the shop, journal: lessons to learn, Probably talking to just myself

about “shop updates”

It seems every time i do this, i lose a few followers, at least on FB! Please remember that small businesses/artists need support too–especially since i myself am temporarily no longer a “floral arranger”/”employee” by day.  Some/most of us do not work for conventional employers, whether by choice, or because of need for childcare that necessitates someone staying home, or living in a place where jobs are few and far between, or that geography says it’s too far to commute to! You get one of a kind items this way, made with skill and care, unique viewpoints and representations, often created with original to the maker supplies too, and passion and intent. We can’t just show you what we’re doing: it has to pay for itself, pull its own weight, fly out into the world. Some of us are not just artists, but WORKING artists–and working artists make art/things for sale, not just to pretty up a blog or Instagram.

An artist/maker spends time not only making the product, but developing the skills sometimes for years, doing the initial sketches or design work,  gathering the supplies, setting up a work space, photography and editing after, listing the product, packaging when sales are made, schlepping them to the post office, buying special envelopes for some work, and has to pay fees as well to keep the business going, from shop fees, to financing charges, more supply buying and a host of little things that are peculiar to each artist. I don’t mean any of this to offend anyone, am not begging, and certainly am grateful when someone appreciates what i do by opening their wallet. BUT things, “products”, Art, stuff, never spring magically from “a sweated brow”on to a for sale page with no thought or effort beforehand 🙂 It doesn’t just get THUNK into existence: there’s WORK first. I keep my prices low, given the amount of effort/skill/vision that goes into them, and having seen some sell smaller less involved bits for more coin,  it sometimes really depresses me, when they’re shocked that i would have the Audacity to actually want good coin, not a token of “faith” in my pocket. There are times when i just want to give up, quite honestly.

On the other hand, i’ve had well meaning friends and family say some of my prices are too “low”, and yes, i’ve always subscribed to the “some bucks is better’n no bucks” theory, but i know what has gone into those particular efforts, and am comfortable with what i asked for 🙂

I’ve had queries about specific pieces that i have shown in my galleries here, things i *might* like to sell to a good home, but have not actively pursued a sale, or even a hint of one, and after a few back and forth emails, when they find out the price–because my bigger pieces, my more involved pieces are more expensive because they were a hell of a lot more work, not only in size, but in execution and skill — *cricket noises*, no further communication, not even a “thanks for answering, but regretfully, no thanks” response. I get that you thought because you bought a piece 6 years ago for $75, that you might figure one of my massive works is only double that now, but that’s not how it works. I know too that active, dedicated, supporters of textile art don’t always have money, and that too, some figure because they have supported someone before, that they should get a deal. I’m happy to work out a payment plan for something already produced, and have on occasion happily done commissioned work on a payment plan as well.

Do you want something that lasts? Are you the kind of shopper that only buys things that *immediately* gratify you? Are you making an investment in your own happiness, or just to fill your belly, impress someone else, keep up with a trend? I’m constantly remembering customers at the flower mines who would decry that “flowers are so expensive for something that doesn’t last”–well, honey, how’s that steak you had last night, keepin’ on? Those flowers that lasted “only” a week made someone happy every *single* day of that week. That’s a lasting impression.

So is art, Art. Big statement piece, small joy as a present for you or a friend, something to make something else with, it’s all in the shop. Thank you for listening to the end of the commercial, not muting it while you go for a pee and a snack 🙂

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Posted in a collusion of ideas, embrilting, FybreSpace the shop

unfinished business is getting busy with finished!

Too many bits and bobs, unfinished, but not used for anything. I have to keep my hands busy, and sometimes despair of what to use things for. I’ve never been precious about what i do, so what the hell, let’s have some fun! I could look on the burgeoning piles as exercises, samples, tests, even a bit of wasted time and effort.

It’s like an athlete who has to continually keep moving, exercising, stretching, twisting, extending. Such a nasty word, *wasted, all definitions pointing to loss, garbage, effluence, used up, thrown away, the only comforting interpretive “a gradual passing of time” resonating… So, let’s say these are running in place exercises.

How many does a person really need (to do)? Simple: as many as a person needs (to do). But i DO know what i want to do with some of them.

It was past time to dip into the bead stash again. If i died tonight, there are so many, poor Greyman would be overwhelmed!

A Spring Burst!

hand embroidered Spring Burst textile art moon

And a Tango Tangerine too 🙂

hand embroidered tango tangerine moon textile art

Baby juice moons, weighing in (errr, measuring in) at 4″ square.

Working on things incorporating those eyes in the third photo too! It’s slow time in the studio–though i’m being patient, i’m finding it hard to corral beads, thread ultrafine needles, and deal calmly with fraying threads and smashed beads! It doesn’t help that i dropped a mouthful of grapes and cheese into my coffee either!

And quite honestly, though it seems all i’m doing lately is pushing my shop, these are *in* my shop 🙂 Since i’m no longer employed by anyone else, and am hoping NOT to go back to ANY ffFlower Mine, hey, a Woman has to do what a Woman has to do. Thank you to those who *do* support me–you’re all Wonderful Blossoms!

Posted in FybreSpace the shop, Natural Dyes, Naturally dyed threads

Naturally dyed thread sale, shop update

Clearing out the naturally dyed threads! <—LINK.  SOLD OUT It seems most people are/were not as excited by them as i am, but those of you who are, can experience packs of different colours, great for your Boro or Kantha style stitching. Mother Nature provides a bounty of beautiful colours for us and what better way to add mindfulness to your work? EDIT April 27, only 3 packs left.

Above, 3 packs. EDIT: 2 1 available  ALL SOLD

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Below, all only 1 pack of each:

SOLD

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SOLD

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SOLD

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SOLD

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SOLD

 

As always, i will refund extra postage paid, and remember, my prices are in Canadian dollars, so use your currency converter