Posted in Contextural Fibre Arts Co-operative, natural dye research, Naturally dyed threads, Redux projects, Suzanis

plugged back in, part time

I’ve been reveling in the colours achieved, now that i “know the waters” here 🙂

(All the purples, greens and reds have already gone to a great home.)

I’m working on a new batch of threads, in various weights and plies, as i am running low myself, and would like to offer them again in the shop.

I rejoined a local fibre group, one that while i really enjoyed on an artistic and intellectual level, felt i never personally “fit” in. To hell with that mind set, i am what i am, and if they look at me like i have a third nostril, so be it. If all goes well, i’ll be joining the group show in April (appropriately, themed “to evoke a sense of community, place-making, inclusivity and intention”) with this from 2011 as a starting point:

HA. Or so i thought. This is the ONE piece i can’t find in ANY box of UFO’s, bits, nada, nuttin’ zip, zero, zilch. I *know* i didn’t throw it out during the move because i still see the potential it has–and yes, i really did toss some unfinished pieces in the trash, because i knew i would NEVER finish them, but this decidedly was not one of them.

SO. The deadline for this show is March 31st. Of course it is, because if i could find the above piece, i’d have somehow been working for a show with a further away deadline. You now how it goes 🙂 (That’s called Magical Thinking.) Because i have to start from scratch, i have 50 days to get cracking, and finish. And there’s no guarantee i will get in either, so it could just be an exercise in time management….

This is my base fabric:

See the face?

This is the sketch i’m working from (OLD and used in many ways since it’s inception in 2014):

These are my colours:

I may switch out the peachy toned one for a duller yellow, a rhubarb root dyed piece.

I know too that the pieces i have of these are not all long enough, so will have to re-invent the wheel maybe to get the effect i need.

 

It’s also going to be a good while until i can show you the “finally” set up studio–we have to re-drywall, move electrical boxes and lights, paint, and figure out storage configuration, so suffice it to say, i have enough room to work, but have to still move piles, or dig to find things.  It’s been a lesson in “clean up as you go, and organize as you store”!

 

Posted in journal: lessons to learn, Natural Dyes, Not so ordinaries, Samara

big life changes, and more small Samara stitchin’

 

 

I looked for as many apple tree photos as i could, the beauty that was a big part of our lives, and yard.

And the apple tree is gone now. As i was writing this, the arborists showed up, and now it looks like this:

It *was* it’s time after all, i guess. Most of the core was rotted far down into the base of the trunk, so maybe this was a mercy in one sense. At least in the last 10 years, it had a lot of loving and attention, graced us with explosions of blossoms and battalions of bees, and organic limited edition coralpink applesauce. It’s kind of the last nail in the coffin for here, for us. I had one of the arborists patting me awkwardly on the shoulder as i howled.

BUT, then i had a clever idea and contacted the Calgary Wood Turner’s Guild about the apple tree chunks and the guys were ECSTATIC about the tree, and very very appreciative. They’re divvying it up at their next meeting, and are positive it’s going to make many many beautiful pieces, bowls, plates, chargers etc. That’s quite a legacy too for the tree, so we are thrilled as well. In a year, after a rough cut bowl has dried more, they will finish it and return to us a piece of that wonderful memory incarnate.

It’s the end of an era, a big chunk of our lives together, and perhaps the Universe giving a nudge. Co-incidental? Maybe, but a Strange Confluence of Events has happened, all in the space of less than a month…..

Guess who said they would never live in MIL’s basement again? Hint: both of us. Truth: we now own the basement (or are in the process at least, ’cause you know how long that takes.) (MIL died the end of August.) Actually, we will hopefully own the whole thing, top to bottom. It was and wasn’t a tough decision to make, but pragmatically we chose future stability, less yardwork (the Back40 here at The Stately Barr Manor is a LOT of work, and this summer we realized we spend more time on yard work than we do enjoying the results…….), something that will be OURS, and well, life changes, doesn’t it? There were more pros than cons in this decision, but we sure as hell will miss the back40, yardwork not withstanding, the location near the river and so much wildlife always passing through our yard, the privacy of a large lot and a landlord who was THE BEST LANDLORD EVER. (Really, he is. He got us, we got him, it was a fantastic relationship. Thank you Y, we’ve loved every minute of living in this 100+ year old house, a lot of memories, including being married under the 90 year old apple tree.)

I’ve had to choose carefully which treasured garden flora will come with us–we are going from an area that is approx 75 by 120 feet (minus where the house sits of course 🙂 ) to about 15 by 15…………………… I can make this work though! Fortunately we are still not far enough into Autumn, that i can convince these perennial plants that they’re just being shuffled around (as i do sometimes) instead of being transported 18K! I won’t have a big dye garden, but i know how and where to forage 🙂 even in the new neighbourhood.

Half of my studio is gone. I mean gone as in i got rid of half, not moved it to new digs: i was in the process of deep clearing anyways, and this situation made me realize there were (too) many things in there that i never looked at, used, needed, wanted anymore, so donations, throw outs and sells have been happening. I’m not missing a bit of it either! That too is why i have a good sale on at the shop–i’d rather art go to good homes, than move it.

Clearing out , packing and moving our stuff AND MIL’s stuff however is exhausting! I have limited amounts of time (and intent, because of the exhaustion!) because our deadline is October 31st. I have small projects in various “go bags” and work on them when i can. I desperately want to work on Samara, and am plugging away on her components, these being the latest parts:

LOVE these velvets, still a few left on the shop in mixed packs 🙂

Wish us luck, buy my art, carry on!

 

Posted in in progress, Natural Dyes, Samara

a little Samara somethin’ somethin’

Natural dyeing and hand embroidery are what keep me grounded, sane, functioning. Trying to stay focused while dealing with two sets of family, with two sets of issues that directly affect us, my own health changes, you know, Life (and Death…)……..But i have managed to at least finish the velvet hexes, and will start on the ones they replaced. Dyes are madder, quebracho rojo, osage, indigo, cutch, hexes silk, threads cotton.

Neither of us is getting enough sleep, though i’m trying to make sure we eat properly, especially the Greyman who’s appetite is bad at the best of times……

Posted in Natural Dyes, Probably talking to just myself, quebracho rojo, Samara

sometimes a week has a lot of days to deal with

 

The weight of the apples this year was too much. Picking before this happened would sadly have not prevented this: the big branches are thoroughly rotten inside where they “attached” to the tree…… And of course, this was the best year yet for the fruit. Golfball sized and rosy, they make an astonishingly deep pinkycoral sauce that needs no sweetener–but does necessitate hours of cutting up hundreds of them for a score of 3 litres of sauce.

The whole thing may have to come down, a very sad heartbreak. It’s 90 years old we bet, and if/when it’s gone, there will be no shade, no explosive mass of blossoms and bees, no woodpeckers or porcupines or deer visiting, and another part of this house’s history gone…..

There’s a new “baby” who has joined the family.

This is Sally, as sweet as her name. From the face, you’d think she was a grey tabby, but stretched out full, she’s a “torty” with tab markings. Sally belonged to my departed MIL, and it’s a good thing we rescued her when we did, the night before MIL passed away (Aug 30), because apparently after a death, only the executor of the estate is allowed to enter the home until everything has been inventoried. (We know they would have fed her, BUT they are still in a foreign country far away, and not back until Sunday night of this coming weekend! Try changing a whole family’s tickets for an early return–3times the price of the original airfare return!!!!!!!!!! She’s have been one very hungry and dehydrated kitty!)

We have wanted this girl for a long time. She lived under MIL’s bed for the most part as she was petrified anytime someone came in the house. We figured cleaning staff may be responsible for this and are so pleased, that while still skittish, she makes herself at home every night on my bed, with plenty of purrs, head butts and long luxurious stretches. She is HOME. Slapshot and Nessie are really not interested, except for the extra “Fud” being doled out 🙂 The family will blend well once again.

I am still trying to decide which natural dye i will use to transform the white swiss dotted cotton to the body of a dress.

I did two little tests (to the right) with quebracho rojo “leftovers”, the paler almost brown an exhausted bath, the pinker an alcohol extraction, less used. I’m leaning towards them with an overdye of tansy, to get the coral i want, but may slip some madder dips on some areas for a slight ombre effect.

I’ve also been working when i can on the new hexes for Samara.

They’ll replace the original ones cut from the background, which will also be embroidered this way and re-attached.

We’re just taking each day as it comes, slow, doing what we can as we can.

 

 

 

 

 

Posted in in progress, Natural Dyes, Samara, Suzanis

progress on second Suzani, and more importantly, Samara too!

I’m trying to spend less time on line, and more in the studio….ha.

Samara’s body is almost done. Her wings are pretty much done, if not in execution, but in idea. (You know that one: in your mind it’s done because you know what you are going to do to finish that section, and can “see” it done 🙂 ). I decided to change up the hexes along the right side though: the recent naturally dyed velvets are perfect to tie in with the areas around the wings. I’ll still use the cotton “solids” that were originally slated for there, and treat the stitching the same way.

I added another greenblue thread as well:

Same type of stitch in think as “Original Truths” was done with; i do like that organic root/branch/path idea:

I was looking at older work photo files again, puzzling over how to treat that big area of red background, and found progress shots of “Strange Soul Take Flight” (2013), a continuation and expansion of the root idea:

I need more threads in the blue/green range as that is what’s going to tie it all together. I may combine some cutch or quebracho rojo with the tansy and indigo: i don’t want this idea to fight with the hexes.

 

Now known as “Harlequin”, i could also jog the suzani part into ‘soupzani”……… I threw a bit too much at it, but i’m just going to go with it. It’s joyful, it’s fun to work on, and what the hell: whose rules anyways?

 

I know already that the edges will be bound with indigo, whether in silk velvet or cotton, solid or eyelet (?)

~~~~~~~~~~~~~~~~~~

And the dress fabric from the previous post is now being mordanted 🙂

Posted in a collusion of ideas, embrilting, in progress, Natural Dyes, Suzanis

a gathering of intention

I know some of you would rather see me posting photos of my embroidery, but please bear with me: summer is the best time for me to do my naturally dyed fabrics, for my own use and for my shop. The shop supports my handwork, so it does all eventually balance out 😆 I have a few scrap inspiration packs available now, and you’ll find them decent sizes to work with at a reasonable price- — *and* i tell you what #botanicaldye #plantdyes i use, unlike some listings elsewhere. This ensures that your purchase is something that is not going to fade, because i use only proven #naturaldyes , and that it is dyed correctly, according to historical use. I unfortunately see on Etsy especially, teeny weeny scraps being sold for outrageous prices with no indication of *what* “plant/botanical/vegetable dye is being used, so they don’t even know what they are buying! Some of it literally looks like old garbage scrounged stained bits you’d find by the train tracks. Not in my shop!

Anyhoo, i am starting to get back to some embroidery, in fact champing at the bit to. There are many too many UFO’s lying around here, all started with excitement, small things that should have/could have been finished by now, if i set myself a schedule. Time management the last couple of years (honestly) has not been a strong skill, or one much used!

I do however like to think of my excursions for stash building and the shop, as “reading breaks”, a time when colour can become important as the base for new work, or to jazz a jaded effort that went PLUNK.

Samara of course is important, but i also want to get back to more of the “suzani” style work. I really enjoyed this and the subsequent paring down of design.

This was the latest “start” of a suzani, untouched since the last week of June:

 

Not terribly exciting. But then i looked at the pieces of silk velvet recently dyed, and i start to drool:

And cottons too:

I *may* have to dis-assemble the start, and re-piece! I want to have the irregular shape the first one had (not exactly the same of course, but the general idea), a happy accident in sewing diamonds together, and to go larger as well.

The first one:

Now i’m off to do the “re-design” and piecing!

PS There are a couple of velvet scrap packs in the shop at the moment 🙂

Posted in in progress, Samara

Samara mock up, oh bugger

“Autumn after all is not just a time of endings, but of rich harvests and warm gatherings.” October 2017

So, now she is all colour, not rust and neutrals.

BUT. OH-OH. *NOW* we think of stay-stitching ALL edges????? Lesson apparently not learned well enough very long ago: bias stretches. Bias stretches a LOT. A LOT of LOT. Especially when it gets washed, dyed, washed, overdyed and hung to dry……

There’s a hell of a lot more space between edges now than i had envisioned. (This is a loose pin job, but even if i wonked her in there “correctly”, there’s still more space than originally “planned”……..) Shrug. More embroidery to add. (Oh darn.) I’ll also have to slightly, daintily, delicately manipulate by slight dainty delicate gathering to fit sides together, especially at the leg area.

However, we are happy to be working with each other again.

 

 

 

 

Posted in in progress, Natural Dyes, Samara, Studio Realities

Samara, Samara, will you ever be?

I don’t know WHAT it is about this piece that keeps stalling work. I LOVE the idea, the form, the work so far (with a few minor colour quibbles), but she’s been pinned to the design wall again for 6 months with no more stitching done.

She started like this, created during my ACAD residency in 2016:

In August of 2017, she had this much (little!) work done on her:

Rolled up and stuffed away, until i got ruthless in October of 2018 and cut her into pieces:

She got this treatment also in October of 2018: body dyed in osage, wings in madder (the iron on this really purpled it!), and the background tossed in a weak indigo vat. (The iron of course affected the osage as well, browning it, which is okay because a bright yellow body would be NFWay 🙂 )

In November, i start stitching the wings and the thread colours really livened up that dark purple:

And the finished wing (mocked in crudely) had ZING when backed with some of my naturally dyed silk velvet:

Like this:

The second wing was done in November also, but is STILL not attached to the velvet backing. SIGH.

But, looking at her last week, the background still seems both dark and weak at the same time. So, i got brave again–because it took some teeth gritting and hoofie crossing when i cut her into pieces the first time—pulled the background off its stabilizer, mordanted the cotton with tannin and alum because even though gawdz knows there’s already a lot of iron on it, cellulose fibres do better taking up dye with these premordants, and threw it in a fresh pot of the 34 year old madder.

And so:

Wow, the hexes shrank.

This has been scoured, rusted, washed, dyed, washed, mordanted, and overdyed again, so why now? Ah well, just means more beautiful fabrics behind the hexes, peeking out.

And of course, part of me is incredulous that all the rust and cream coloured fabric is now “gone”, but that’s how it goes. Because you know what? She has a sister! (I did TWO pieces like this during the 2016 session.)

I’m thinking too, her body is much like a husk at the moment, but husks hide secrets that are revealed through peeling away layers. Things escape husks as well, corn silk, seeds, errant old petals. We’ll go with that and see how she evolves there:

(Something else i realized too: if and when she is ever finished, this will be the first big piece i have done with all natural dyes, from fabric to threads.)

Bets on when she actually soars?