Posted in "Love is the Answer" collaborative project, Ecoprints and Natural Dyes, in progress

a little more “love is the answer”, part 3

Love is Respect, and you can hold that in your hands, and take it out into the world.

These have to be stitched to the pennant, and a bit of text completed above the moon, and then i can put the back and front together.

The world is an ecoprint with my favourite local plant, red osier, dipped in indigo. The hands were cut from a rust and brazilwood piece done during one of my residencies at ACAD. I like too how the heart current abstraction also looks a bit like a tree, growing, protecting, strengthening the world.

I will however, resist saying “I am Groot” 🙂  🙂  🙂  🙂

Posted in Ecoprints and Natural Dyes, embrilting, in progress

a little pain, a lot of gain

Yesterday was a “Dental Day”, and you know what that means! To keep my mind off what was going to happen, i worked on this little ecoprint. All natural dyes, all cotton, and a perfect antidote to pain and winter! Background surround is madder, madder with osage overdye, and ecoprint panel is madder and a tannin blanket, with leaves from my garden.

Shall have to photograph this in better daylight, as it’s even prettier than it is 🙂

Posted in "Love is the Answer" collaborative project, in progress, Not so ordinaries, Shows/Publications, Work 2018

“Love is the Answer” project, part 2

March 7/18:

(As i mentioned before, these entries will all be posted when my part of the project is done, but are dated at the time written. For reference to previous thoughts, see Part 1 and posts following this one by clicking on “Love is the Answer collaborative project” under the entry.)

Most of us have a personal symbol system, whether motif, shape, object, colour or even stitch, that marks our work, makes it ours and is ultimately satisfying. Mine are anatomical (hearts, brain, spine/bones) or nature inspired (bees/roots/branches/moons), and the hexagon shape, quite ubiquitous in a lot of my work. Hexagons, in my lexicon, are cells, microscopic flora and fauna, hives, memories, all symbolizing at a basic level, connectivity.

While most of my personal symbols would probably work within the context of this collaborative project, i feel the heart and hexagons would be the most appropriate. Heart and connectivity are most definitely parts of love, in all of its platonic, romantic, pantheistic and spiritual permutations. It’s these components that make it work, in my books. And that is where Respect starts, as Love is Respect.

For this, i wanted to use the really abstracted drawings of the way the heart’s “electrical” current flows. This was a pre-cursor to that (from 2006!).

I had started a new project/idea in January of this year (after correcting the placement of that left side hand!):

Went nowhere with it….

BUT. Those hands and what about with an abstracted heart?????

I liked this sketch,

 

and thought to make it a bit more story telling, a heart’s current over the entire world. (This is a somewhat artistic rendering of the actual heart current, abstracted and more ornamental, but it does represent the real thing. Because i have heart issues, i do a lot of research 🙂 )

Sept 29/18: A version of that sketch will go on this:

Oct:    And i finished the “back” for this pennant, though i suppose there is no front or back, no “right” or “wrong” side to this project, as Mo is suspending them from very evocative armature.

 

 

Posted in "Love is the Answer" collaborative project, "OPINIONATION", Deliberation--do something you don't do--or haven't in awhile, in progress, Not so ordinaries, Shows/Publications, Work 2018

“Love is the Answer” project, part 1

March 5/18: (I decided not to publish any of these until i had a certain amount of work done on my part of the project , hence the date at the beginning of the post. You might have seen some of the drawings/work though in previous to this project posts 🙂 )

I’ve been a long time follower/reader of Mo Orkizewski (Mo Crow) at her It’s Crow Time blog in Australia. I admire her spirit, her ethics, her art and her outlook on life. In June of 2017, she conceived a project, based on a line from her equally talented partner’s song “I Dream of a World”, that has become a hugely collaborative art installation, slated for display in 2019 at Artsite as part of a show entitled “Braille for the Soul”.

Now, long time readers will know that i “hold no truck” with arty proposed “solutions” to world evils, from folding paper cranes for Paris’s Charlie Hebdo tragedy, to prayer flags for whatever cause, or “craft for peace” days. It’s not that i think groundswell movements can’t change things (because alas, our sad world has so many problems), but that people use these as excuses to pay a moment of goodytwoshoes my piece about peace is more important than your considered opinion and actions about HOW to/that do actually make things better for SOMEONE.

*My* answer usually is go small, be small. Contra-indicative? Nope. Because i/you will never stop any of the depredations that man commits upon man, that man commits on the world, on Mother Nature, on women, on children (and by “man” that’s the generic human species, not specifically the male sex–though given the current climate in the US happening right now with the confirmation hearings, that’s a debate well in fury right now…..), by practicing origami, hanging rags on ropes in a breeze, or blessing fabric in the sea. Going and being small does not mean either that one is selfish–i mean go small, be small, as in sharing what you have with someone who truly needs, in your own part of the world. It is a small thing on a global or universal scale, but it helps someone/something immediately. Prayers don’t fill bellies, warm hands in -40 temps, or show any true kindness.  Be small when you volunteer, donate give ( i don’t like the word donate with all its connotations of old clothes that don’t fit, or that you had enough money to mis-spend and really don’t care, or a 20 dollar bill once a year in the Salvation Army kettles because you feel guilty and seasonally magnanimous at the same time…), help, compliment, show respect, share gloves and scarves, a sandwich and coffee, a five dollar bill to someone scraping for busfare or cans in the trash, hold a door, pick up someone who has fallen on the ice, because small is big for some. If you can make ONE day better for ONE person, doesn’t that say more for your humanity and soul AND theirs, than all the frickin’ paper cranes in the world???????? And maybe THAT person is the one who DOES change the WHOLE world.

Off the soapbox. So WHY then would i contribute gladly to a project like this? Because to me, this one does say something–it’s the joining of a lot of viewpoints from around the world, expressed eloquently, calmly, lovingly and full of hope and concern, with intent, expression and heart that goes beyond slapping some felt letters on a scrap or finding the prettiest paper at great expense to torture into a symbolic shape.

So within the context of the show, what does “Love is the answer” mean? Love, true love***, whether platonic, romantic, pantheistic, or spiritual is, on a broader truer scale, about respect. It does not use apologies as manipulation, is inclusive, does not contrive, never obligates, does not keep a ledger. Love guides and supports, connects and strengthens, complements, enhances and shares. Love is moral, thoughtful, questioning but not aggressive, does not judge, is constant and patient. Love is not guile or a weapon. I re-iterate: Love is Respect.

So, anyways, off the box again 🙂 Mo sent me one of the “pennants” to do with as i wish. (The fabric is from a very old wedding dress.) I took it apart first, as the layers can be re-assembled when the work is done.

I did an alum pre-mordant, assuming the cloth was silk, but there was no madder dye uptake, then realized it was a synthetic after a burn test spattered some on one of my fingers! Then i spent two weeks dithering about what i was going to do next, staring at it, shuffling bits on and off it, having multiple “Eureka” moments that withered very very very fast, and thinking i was going to completely ruin it —–and Mo was going to politely say “oh that’s interesting” while privately wondering why the hell she had sent the original to me at all…….

This will be a layered process, something i have done before, but not a lot lately. Building dimension and story this way means the elements won’t be fighting each other. This is the “first” layer, though in the end, it’ll be the background, and not all visible. I deliberately stitched some areas so that they looked as if they were fading, rubbed out. (Unfinished at time of photography.) Not only is negative space important, but it will be more effective once the next layers go on.

Greyman thought i was embroidering him a wide tie 🙂 , but *his* choice of words would have been quite different!

July: A mock up for part of the front, still being worked:

August: and good progress on the back, as of the middle of August:

Stay tuned for “part 2” and maybe one more: one post would be waaaaaay too long!!! And of course, an “Artist Statement” 🙂

“Love, true love”*** does momentarily give me a giggle as i remember a particular scene from “The Princess Bride”…..

 

Posted in Deliberation--do something you don't do--or haven't in awhile, Natural Dyes, Naturally dyed threads, Samara

trotting her out again

Samara has been patiently waiting “in the wings” for 2+ years, created during my 2016 residency at ACAD. I’ve gone through so many revisioned ideas, that my head whirled, and i’d get lost, and hang her back up on the studio wall to stare at , then to ignore…….

Above, as she is to date, a bit of stitching with walnut and madder dyed threads.

Below, several of the ideas i had for her wings.

Nope. Sort of like both feather treatments and the scrappy look, but not enough to get on with them.

Now what if i

a. cut her wings out also, separate from body slightly, with colour underlay in gaps–but how do i treat the wings themselves?

b. covered the background with scraps, not quite boro, but the idea of rough edges and colour layering—not solid or what is the point *of* that background colouring/patterning?

c. vines, seeds, grasses, grains and leaves everywhere, solid? autumnal

d. wing treatment? the layered feathers?

e. introduce more colours–approach? “blocking”? blending?

f. treated the hexes dimensionally, motif wise and presentation/placement ?

 

Because rather than do all neutrals like i used to/usually do on these deliberately “designed” wholecloth rust and dye pieces, i want more colour now.  It’s part of why too, i’ve been dyeing so many threads with natural dyes. This was part of my original inspiration for the feel of autumn:

I’ve been working on small moons again, behind the scenes,  but i need to get back to the Big Serious Work as well. I have to stop second guessing myself: the summer has been one of low self esteem, exhaustion, depression and doubt, and it’s hard to get out of that rut. Dyeing suited the mood swings, creating colour where there was none, but a full bin of un-used beautiful threads would be a waste as well.

How does one boot oneself in the arse without hurting one’s back?

Posted in Days of Honey, embrilting, in progress, Indigo Dreams, Jam Day, Madder, osage, The Summer of Madder (Study)

just a day

Here’s proof that pink calms dragons as well 🙂 He then flew onto my shoulder to say hello, before he went off on business.

How can one ignore inspiration from one’s own garden? It wasn’t just the yellow shouting of these Ligularia flowers, it was the indigo shadows underneath as well, due in part to the smoke still hanging here.

Posted in a collusion of ideas, Ecoprints and Natural Dyes, embrilting, in progress, Redux projects, The Summer of Madder (Study)

mining the past again

That’s a page from a 2007 “fabric art journal”, a time for me of experimenting and heavy machine embroidery. “Kirlian Hand” is a portrayal of the so-called phenomena of a person’s “aura”. Named after Semyon Kirlian’s accidentally discovered observation in 1939, that if an object on a photographic plate is connected to a high-voltage source, an image is produced on the photographic plate—- and touted in the 70’s as captures of the human spirit! (My ex was heavily into this, Hollow Earth theory, pyramid power, Chariots of the Gods alien conspiracy, and the whole “new age” crapola of the time….used to drive me nuts…but then *he* was/is.)

Anyhoo, i did like the design possibilities of this, so wth. The hand was cut from screen printed fabric, all of the embroidery is by free motion and the abalone shell piece was attached with glue and beads (i think..the page is somewhere in a box with other relics of the time, in a little room at the back of the house so stuffed i can’t get into it. Note to self: do something about that this weekend, there’s some Good Stuff in there too…)

It’s interesting to look at old work and not only remember how and why it was done, but to go forward with it as well, in a new direction. Yeah, some of the results from the way back machine are either embarrassing or weak, but some of it is still valid, good, intriguing, and touches a chord. Let’s roll with it!

As i mentioned in a previous post, i’m working on improving my ecoprinting skills, and while my little tests are very quite promising, i’m not completely satisfied yet, BUT, i can still use some of the bits in the Summer of Madder Study project 🙂 I’m going to “condense” the above layout a bit, due to the size of the moon i want to use, because the original layout would make too big a section to work on comfortably, considering the scale.

I’ll have to be tender with the moon too: a silk, i always have problems with stitching on this fabric, by hand or machine, as the threads of the fabric tend to “pull” when the needle goes through. I’ve tried finer threads, and smaller eye bulbed needles, but haven’t solved the mystery yet, so minimal stitching on the moon. Given though that the details are so fine and so delicious, less is more anyways: not everything has to be encrusted!

And the potential layout–just pretend/imagine the fingers are separate so the moon shines through 🙂

It’s now time then to set up the outside stitching corner!